Sienna Miller's performance in this chatty movie is really brilliant, playful, cute, quirky, and there are so many little expressions and little actions that make me fascinated. Sometimes pure and sometimes vulgar, sometimes the bird is obedient and sometimes foul language, rationality and sensibility go hand in hand, making it elusive. And this elusive sense of mystery and time and space is the fatal attraction of women. As a director, Steve Buscemi still designed the character for himself as usual, and he came at his fingertips. A failed and downcast middle-aged man, a war correspondent, his wife and daughter both died, and it couldn't be worse.
When popular actress Kateya went to the restaurant for an exclusive interview, she was an hour late for rehearsing the script with her colleagues. Pierre, the war correspondent who took over the interview temporarily, was angry at Kateya's lateness and unapologetic attitude, so he said I have never seen her work, and I have never done any interviews. It is not known whether it is true or false. In short, this contemptuous attitude also angered Kateya. The two broke up and reunited after a minor car accident. Kateya will Pierre, who was injured in the head, brought back her huge and simple apartment. Whether she was out of kindness or planned a revenge to destroy the other party's psychology, I don't know, and this vague motive is the wonderful point of this film. A dialogue, every action, every tease and rejection, every interference from outside factors makes the character behavior and the development of the plot abruptly, especially Katya. There are two active kisses in the film. The first time was interrupted by a phone call, and the second time was because her boyfriend called the door to prevent Pierre from opening the door. If there was no outside interference, would it be done overnight? Will the two have a one-night stand? have no idea. When Pierre dominates the TV watching political news, Katya watches the soap opera starring her on the small TV, and the difference between men and women is full at this time. There is no way to know whether what the two people said in the film is true or false, the love rift and cancer in Katya's computer diary (Pierre peeking at the diary is really wretched....) Pierre The Middle East prostitutes in the mouth, stories one after another, the wrestling continues to escalate, Pierre only to get exclusive news, through the voyeur diary content to ask Kateya's emotional life, Kateya wants to let this arrogant man leave him with nothing. House of. This wrestling game was so enjoyable that neither of them wanted to end it until Katya recorded Pierre's "heart words" on DV, about his dead child and dead wife, this monologue facing the camera still remains It's hard to tell the truth from the fake, until Katya changed the tape in the DV with insight into human nature, and Pierre also followed the human nature and took the tape secretly, and the outcome was not determined. Katya's tape-tuning was a gamble, and she was right, because Pierre's final act was enough to prove the truth of his "heart", which was the scoop that was squeezed out tonight.
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