The Tu-Australian movie babyteeth has a great idea. After watching it for ten minutes, I want to hit someone. Not confident! Very insecure. The whole film is hand-held, but I don't know why. In the textual sense, hand-held is for recording and reality, but it is obviously a story that needs to be immersed. You record a JB. Pseudo-recording is also possible, but you are moving. There is almost no moving photography in editing. Most hand-held lenses are indistinguishable from tripods except for slight shaking. What is even more unbearable is the subtitle partition, as for? do you need? The amount of information is huge, and the plot is underlined at once. After explaining it, just cut it, press it to cut five minutes later, anyway, the subtitles are explained. As a result, the information in the subtitles is still repeated in the movie. tired. Subtitles can add a great amount of information, a powerful tool to cut off, and there must be a jump in the drama later. If the double amount of information is not treating the audience as fools watching TV programs, it is that the director is too unconfident about the content of the movie. The soundtrack is also a disaster. At the beginning, I thought that Australia didn't have its own music, so I could only use classical music to make up for it. It suddenly turned into electronic music in the middle, and I really couldn't understand it. This kind of mistake made by students' homework, I don't know why it appeared in a movie. Probably because of lack of self-confidence in culture, but also want to bring out the style of Tu-Australia, but can't find the difference between Tu-Ao and Hollywood. Except for the close-up of a few native Australian creatures in the empty mirror, I really can't find my own context. The same problem has appeared in Russian movies in recent years, where they fight and kill at every turn, trying to regain the glory of the past. However, after using a lot of CG and American drama lens language, it is still empty. It can be used in World War II, in the former South, and in space. This is the story. What about people? What about people? What about people? No smoke at all. Just like baby teeth can be from Tuao or China's fourth-tier cities. Cultural self-confidence is by no means a slogan. For the past five thousand years, I have joked that, apart from cheating Kuaishou's old iron, don't say going abroad, the cinema will reopen to see if anyone will pay for this pseudo-type film!
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