The 5th screening day of the 11th # Faroe Island Film Festival# Nobody Knows will bring you "Love High Heels", and the following will bring you the comments of the strange mothers and daughters on the front line!
Queen of the Faroe Islands:
Guard, ghost, scapegoat, mother.
We Min Hee:
Almodovar has always been affectionate but rough. The man here is writing quite inexplicably.
Zhang Ying:
Artomoire deftly juxtaposes the absurdity of what we briefly and devoutly believe with the eternal truth.
kc512:
Almodovar was really bold this time when his daughter had sex with a drag queen who imitated her mother and killed her husband, who was her mother's old lover.
Kai:
I think it's the ugliest Almodovar movie I've ever seen, it's so slow and the Almodovar jokes are almost gone!
zzy granite:
Almodovar's brilliant colors, combined with the Oedipus plot, always give people a sense of surprise. The fruit of hatred produced by love is enough to regret for a lifetime~
Ball candy:
The role of transvestite + informant + judge still makes my pupils tremble. The colors are gorgeous, but the emotion is not as strong (or sincere) as I imagined. The twists and turns of the plot are still interesting.
Fruit trees:
Almodovar's suspenseful sequence neutralizes a lot of absurdity because it brings in a lot of warm elements. The only dissatisfaction is that the explanation before the incident was a little weak, and too much content was handed over to the narrative behind, which was a bit out of balance.
KIDult226:
Form>>>>>>>>>>Content, too much drama leads to some dislocation of the characters, the so-called love and tolerance and feminism are neither warm enough nor full enough, only sexy (colorful) art fingers and awesomeness are left. You can watch the erotic drama of coaxing.
The song is wrong:
Just like the Autumn Sonata mentioned in the film, it focuses on the relationship between mother and daughter. The daughter has a paranoid attachment to her mother, and the mother suffers from the plight of being unable to save her daughter. High heels are the symbol of their constant entanglement. , even hate, and love you while hating you.
Nofan:
Almodovar's smooth sway not only overflowed with his own aesthetics, but also injected a lot of personal philosophical thoughts into the script. Redemption, lack of love, search, jealousy, belief, and desire make this film sharp, highly personal, and a lot of universal ethical reflection, which is very successful.
I know a little about her:
Strange men and strange women, women's personalities are blurred, men's personalities are eccentric, all emotions seem to be floating in the air, and they are blown away at will because they are not important. All the characters are fierce, not the most exaggerated, only more exaggerated, but what you remember is still the purest and primitive emotions, those hysterical and irreconcilable contradictions are finally read in the sentence of death, a desolate and insoluble truth finally Being hastily made a petition, it can be said that it is not love-hate entanglement.
chriseternity:
Surprisingly good looking! Almodovar is really a male director who knows how to shoot women better than women. The colorful color design is undoubtedly a true reflection of women's complicated and chaotic hearts, and the bold plot design and suspenseful story development make the movie impressive. Sexuality has risen sharply (of which the erotic scenes are undoubtedly the most exciting), and the performance of the actresses is the icing on the cake. At first, I thought the title "Love High Heels" was meaningless, but it was not until the end of the film that I realized that high heels are the soul of the film, which symbolizes the complicated relationship between the mother and daughter that has long been cut and chaotic.
Midnight no one:
"Three women have seen him in those three hours. Had sex with one, had a heated conversation with another, and one found his body. Now I want to ask if it's any of you Kill him?" The collision of strange colors and strange feelings, unquenchable desires and unbreakable attachments, nothing in Almodovar's world will be called "sick", they use big mouths Breathe, stirring the rhapsody of your dreams with fiery breath. The mother has the stage, the daughter has the anchor station, the lives of the two are chasing step by step, and the heartbreak moments are used to entertain guests together; and the role of the man intends to plunder the women's territory, so he becomes a stepping stone, a victim, and a mere mortal. A prism that can live in a woman's body to gain pity, and then constantly change her identity and lose herself. She can't quit her obsession with her, and she can't redeem her remnants. We are used to discussing right and wrong and winning or losing emotionally, but right and wrong and winning and losing are not emotional. Love and hate have been passed down from generation to generation, day after day, but I will only love you more, forever, and more and more.
#FIFF11#DAY5's no-know field score will be released later, please wait and see.
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