foreign jealous woman

Kyle 2022-03-12 08:01:02

From the beginning of the film, the title seems to think it is a love story of Betty Davis being wronged, Betty who is translucent, which looks like 30 years old. Towards the end of the film, she slowly realized the evil of her jealous woman.

The more I look at it, the more I feel that this movie is very similar to the ancient Ming Dynasty novel "Vinegar Gourd".

vinegar gourd
6.5
[Ming] West Lake Fu female leader / April 1992 / Baihua Literature and Art Publishing House
"Vinegar Gourd" (Ming) Fu female leader

Julie in the film is also a jealous woman. Previously, due to his own willfulness and freedom, the marriage that should have been consummated went into a dead end, but here, the story can still be reversed. After a year of repentance and repentance, after looking forward to the bridegroom of the year, I thought of starting anew through my own practical actions, but I didn't expect the famous flowers to have owners, and it was too late. - People who are "not good or bad" usually become extreme. ——Julie's frustration and helplessness in it, her own jealousy grew, and she wanted to destroy the marriage, and even attacked Henry Fonda by provoking Buck.

But Fonda doesn't look like a happy face.

George Brent is one of my favorite actors. The straight body always has a calm gentleman's spirit, but it is not lost in the slightest, and the keen eyes are always online. And this is even more evident in this film.

George Brent

In "Tears in Red Shirt", I think Buck is a real self. From the beginning of "not being able to mention the name of a lesbian in the bar", to Julie's first frustration and her refusal to invite him to the dance in a red dress, it all shows that he is a gentleman with bottom lines and rules. The film has developed to the ambiguity of Fonda's view of "abolition of slavery in the north and the south", and even knowing that Julie has been used as a gunner, still proposes a duel. Personally, I think it can only explain Buck's approach, which is to justify his own views and serve His own face is justified, rather than being Julie's puppet. From that point of view, Buck is an interesting character.

scary panic
Write a Y on the door of the sick person
Write a Y on the door of the sick person
awesome, scary

In the film, cholera and yellow fever in the United States in 1892, combined with the current flu, have the same feeling. However, compared with communication and hygiene, it is far inferior to the current era. People's fear and bravery are more worthy of admiration.

I'm like an old lady making a bullock cart

In the end, Julie was able to accompany Fonda to the quarantine island, and she seemed to show a smile like a wish.

I can't remember what this old man's name is, he acted very well, in many movies he ran the other way

The whole film begins with "Camptown Races" as the soothing background music, developed by the story of the heroine Julie, and slowly leads to the following. The footage and soundtrack of the film are extremely sophisticated, closely following the plot context, allowing the audience to deeply immerse themselves in the film.

——I have to admire the music cells of black friends are really strong

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Extended Reading
  • Jana 2022-04-22 07:01:54

    The heroine is both love and hate, and I can understand why Buck went to a duel knowing that he was being used. On the contrary, the final choice of the female supporting role makes life respectful, and love is not possession.

  • Sydney 2022-03-26 09:01:14

    Feels like watching Gone with the Wind again. Scarlette o'hara could have been played without Vivien Lebetty. But Fonda is more like Ashley than Reed. The dance in the red dress was comparable to the Atlanta one, but Fonda's eyes showed contempt and resentment rather than Gable's appreciation. With enough courage you can do without a reputation. Women should be.

Jezebel quotes

  • Julie: Pres, why did you do it? Why Pres?

    Preston Dillard: Because I love her.

    Julie: But you had my love.

    Preston Dillard: And lost it.

    Julie: Wasn't that memory more real than anything she had to give to you?

    [Preston walks away]

    Julie: Oh, don't be cross with me, Pres. Just tell me. You must!

    Preston Dillard: Please don't, Julie!

    Julie: Shall I cry for you? Nobody ever made me cry but you... And that was only twice! Do you remember?

    Preston Dillard: Yes.

    Julie: How much do you remember?

    Preston Dillard: Everything you ever said or did. But that's passed now, Julie. Done. Finished.

    Julie: I ought to have come to you. I wanted to so terribly. It was because I wanted to so much that I couldn't. You do understand that, don't you, Pres?

    Preston Dillard: I didn't understand. I just knew what you did.

    Julie: But you had to come back home, didn't you? You had to come back to the country and the things you know, because you belong here! Nothing can change that. Pres, Listen... Can you hear them? The night noises? The mockingbird in the magnolia? See the moss hanging from the moonlight? You can fairly taste the night, can't you? You're part of it, Pres, and it's part of you. Like I am. You can't get away from us, Pres, we're both in your blood. This is the country you were born to, the country you know and trust. Your country, Pres! Amy wouldn't understand. She'd think there'd be snakes.

    Preston Dillard: Julie, please!

    Julie: Oh, it isn't tame and easy like the North. It's quick and dangerous, but you trust it! Remember how the fever mist smells in the bottoms, rank and rotten? But you trust that, too, because it's part of you. Just as I'm part of you and we'll never let you go!

    [Julie kisses Preston, he pushes her away]

    Julie: Pres, you're afraid!

    [Preston glares at her angrily and walks away]

  • Preston: [stands at the door] Goodbye, Julie.

    Julie: [looks at Preston slightly shocked] Is that all you've got to say to me?

    Preston: There's nothing more to say.

    Julie: Evidently, you've made up your mind.

    Preston: No, Julie. You've made up my mind.

    Julie: [looks at Preston and smiles slightly] Goodbye, Pres.

    [shakes his hand, eyes him carefully, frowns, and then slaps him]

    Preston: Goodbye, Julie.