Before Hong Kong's return to the motherland, the film about the joint theme between the Hong Kong Royal Police and the mainland police may have been made by the director to try it out for mainland audiences. (Different from domestic Lingling paint, domestic Lingling paint is in the black continent instead)
The plot of the movie is not complicated. Old man Zeng Jiang's acting skills really exploded, and all the scenes were full of excitement, but until the appearance of Chen Jiaju's girlfriend, everything was gone. It was easy to be discovered and the scribbled end was obviously different from the previous attempts to break into the enemy. It took a long time to set up the foreshadowing, which made the audience's accumulated curiosity suddenly fall to the bottom, and it ended quickly. Compared with the battle of wits and courage in the second part, just kidnapping his girlfriend was enough. Letting go of Chen Jiaju and Xiaohua is obviously not in line with the strong aura and style of the gang boss played by Zeng Jiang. The story at the end should be a little more complicated and longer, adding some character collision friction and plot, just like the two hours of the second part. If you are so addicted, then the third film is definitely a high-quality police and gangster film with about eight points.
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