sad

Alana 2022-03-15 08:01:01

Mizoguchi's film is sad in one word. All of his greatest works show the process of those good people being devastated and destroyed by the evil of human nature in the context of the times. Even though the chef king successfully avenged Dr. Sanjiao, at the end of the film, when his mother who was blind and paralyzed appeared in the camera, life was still worse for the chef king and his entire family. Mizoguchi seems to be very keen on making audiences taste bitter stories with poetic action shots and mise-en-scene.

At the end of the Heian period, Iwagi's parents, Guan Heizheng, who were honest and caring for the people, were scolded by colleagues for violating the orders of the imperial court to help the victims, and were demoted and sent to Tsukushi. Seven years later, Heisei's wife, Tamaki, took their 13-year-old son Chef Wang, 8-year-old daughter Anshou, and her grandmother to Chikushi to find her husband. As a result, they were deceived by the traffickers when they were looking for someone to help cross the river. The traffickers controlled the cook Wang, An Shou and grandma to leave on the boat, and pushed the old and useless grandma into the water in the middle of the river to drown. The mother was controlled by human traffickers on the shore and sold to a brothel to become a prostitute. The Chef Wang and Anshou were sold as slaves to Doctor Sansho. Doctor Sanjiao is abusive. As long as any slaves are disobedient or lazy, they will be brutally punished, such as branding on their bodies, foreheads, or being severely beaten. The same is true of the brothel where the mother is located. The mother misses her two children day and night, constantly shouting their names. When she was caught trying to escape, the brothel owner ordered her mother's hamstrings to be broken... but the disabled mother still came to the river with a cane and called out the children's names.

Ten years later, the grown-up cooks Wang and Anshou are still enslaved by Doctor Sanjiao. The Chef King has become Doctor Sanjiao's right-hand man, who punishes slaves according to Doctor Sanjiao's orders. And An Shou was still kind, and asked the Chef King why he betrayed his original intention. One of Anshou's "colleagues" fell ill, and Dr. Sansho ordered her to be abandoned in the wild. The Cook King and An Shou carried her to the mountain together, which was the Cook King's proposal to escape. An Shou decides to stay for cover in order for the cook king to escape smoothly. The cook king successfully escapes to a temple with his sick "colleague" on his back. And An Shou, after completing the cover, knew that he could not escape the magic of Doctor Sanjiao and chose to commit suicide by throwing himself into the river. With the help of the monks, the Cook King escaped capture and became an official through promotion and his father's glory. He eventually ordered the liberation of the slaves and took revenge on Doctor Sansho. But when she learned that An Shou committed suicide, she resigned from her official position and searched for her mother alone, and finally saw her gray-haired and appalling mother. The mother kept whispering the names of Chef Wang and An Shou, and the last scene was very sad.

Obviously, the story of this film is not completely completed according to Mizoguchi Kenji's original intention. Otherwise, the name of the movie should not be Doctor Sanjiao, because the whole story is based on the chef king, and Doctor Sanjiao is just a villain who does not appear many times. But aside from those helpless elements outside the movie, the movie itself is excellent enough, regardless of Mizoguchi Kenji's signature camera movement, scheduling, or the emotional appeal of the story itself.

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Extended Reading
  • Benny 2022-03-26 09:01:14

    Pity. In the middle, there is a wonderful point: the son of the slave owner runs away, and the son of an honest official becomes a slave and becomes an executioner until he inherits the rank of his deceased father as an official. Slave-bureaucrat-slave-owner tension and humane digging should look good. The subject matter includes the one that moves the mirror closest to Akira Kurosawa. Losing a name, who takes the name, the name into the song emphasizes the search for situation, identity, and soul, as well as being separated from parents and becoming a slave and Spirited Away have the same shape. The male protagonist was a tool man. It only took a moment for his cruelty to be awakened by his early tutoring and experience. The words and deeds corresponding to each class were so easy to wear and tear, which originally indicated blackening? The choice between the lonely world of the "reformer" who has lost emotional support (sister Shen He, parents died - hypothetical) is even more difficult. Faith here is just a chanting of a merciful god (interesting when it's used as a class token). Empathy, compassion, and the equality of all beings as human beings are pioneering choices in the age of text. Many aspects are not fully extended, and there is hesitation between showing reality (structural) and criticizing reality (human nature is evil).

  • Kirstin 2022-04-21 09:03:45

    #siffeighth# I always thought this was Mizoguchi's film, it should be the brother who died and the younger sister, hahaha. A tragic family of the only wise man in a world of great ignorance. The scheduling of the shots is very powerful, and it is not sensational at all, allowing the audience to look on and watch the sultry world of this servile society.

Sansho the Bailiff quotes

  • Masauji Taira: [Speaking to his son Zushio on the verge of being exiled and separated from his family] Zushio, I wonder if you'll become a stubborn man like me. You may be too young to understand, but hear me out anyway. Without mercy, man is like a beast. Even if you are hard on yourself, be merciful to others. Men are created equal. Everyone is entitled to their happiness.

  • Taro: Even children as young as you are sold and bought, treated like animals, and nobody questions it. What a horrible world.