The Best Truffaut Perfection Within a Play

Carmella 2022-03-13 08:01:01

The movie is like a train speeding by in the dark night. After watching this movie, you will not forget this classic line. It contains Truffaut's love of cinema. Day for night has a very important meaning for Truffaut, after the failure of the previous works, Truffaut's film has brought him back to the ranks of international directors. Truffaut's tribute to film history can be seen everywhere in the film. The stills about the kid stealing Citizen Kane, as well as the feature on the magazine (with Bresson, Breuer, Hitchcock...) the most interesting thing is that Truffaut uses Goth directly in the film Dahl's line of contempt (that's what the lady on location says at the end of the credits, "You guys who make movies are really corrupt..."), but Godard doesn't appreciate it. The reason is that Godard asked the German director Lang to act as the director in Contempt, while Truffaut himself acted as the director in this film.
The filming skills are very high, it not only allows us to see the process of making the film, but also allows us to see the plot of the film. And the process is more exciting than the plot. The intricately ambiguous relationships among the crew members, starring Alexander's same-sex boyfriend and his final death all have strong theatrical conflict.
The film is a good representation of Truffaut's view of the author's film, he only cares about the film itself. For Truffaut, movies are more important than life.

View more about Day for Night reviews

Extended Reading
  • Floy 2022-03-26 09:01:14

    This is an emotion. Truffaut and Godard part ways

  • Darien 2022-03-13 08:01:01

    It turns out that Miss Numbers is from this movie. Making a movie is like traveling to the west. In the beginning, you hope to have a wonderful journey, and then you only hope to reach the destination smoothly.

Day for Night quotes

  • Le producteur de films érotiques: [to Ferrand] I'd like you to meet two German girls. They're sisters: Greta and Diana. She was in a big German political film. Do you do any? She was in an erotic film. Why don't you do one? I have a good script about pollution.

  • Ferrand: Quiet! A full rehearsal. Let's go, Séverine.

    Séverine: "I don't understand you Alexander! You're - "

    Alexandre: "Peculiar"

    Séverine: Oh, yes.

    Ferrand: It's all right! Take it from the top, right away. Let's go, Séverine.

    Séverine: "I don't understand you Alexander! You've been peculiar, lately. Walking out on dinner last night! That was an insult to Julie." Damn! I said Julie instead of Pamela.

    Ferrand: Not to worry.

    Séverine: I've got an idea! I'll use numbers, the way I do for Fellini! Instead of "I don't understand you Alexander..." I'll say, 22, 83, 16, 72, 5, 3, 18, 9, 14, 7, 9. 17, 10, 10, 4, 18, 69...

    Ferrand: Impossible, Séverine. In France, we have to say the lines.