The fragility of the wall between man and animal

Oran 2022-03-13 08:01:01

Japanese film. Produced in 1964. In the

film, the emperor exterminates human nature and fights indiscriminately in order to compete for territory and power.
As a result, people's useless struggles lead to the disorder of natural laws, day and night are reversed, and even the black sun hangs high, hail in summer, farmland No harvest.
This is a natural disaster, and even a man-made disaster. It must be said that it is their own sin.

The two heroines of the film are brutal, fierce, and violent.
They hid themselves in a reed bush and killed the passing male soldiers. , and to make sure it was a surprise, and to kill them to the death.
After confirming that the male was dead, they quickly took off their equipment and pushed the corpse down the deep hole that was already full of bones.
As long as there are still two swords, or two pairs Armor, go to a man in exchange for a bag of rice.
They kill without blinking an eye, without the slightest guilt, as animals, they exchange for food.
And as humans, the men who buy weapons also try their best to deceive people and squeeze these poor people.

And with the return of Xiao Ba and the death of her husband and son in battle, the lust in women's hearts is like the reeds at the gate of the thatched cottage
. Under the temptation and the will of the heart, it has been completely taken away by time and has become a thing of the past.
Xiaoba's limbs in the reeds vent, the energy of his prime-age body, and the wriggling tongue when facing his mother's daughter-in-law,
the naked sexuality Implicit... What does it indicate?

Oh, it was the daughter-in-law's out-of-control emotions, the strong outburst of desire that she had accumulated for three years.
It was also the moral breakdown of the mother-in-law, she completely abandoned her self-esteem, and was killed by her own animals. Sex is around. The
daughter-in-law's running in the dark is so intense, the sound of gasping reverberates everywhere.
The powerful drum beats and howls that sounded when the mother and daughter murdered also resounded in the ears.
This is the exposure of animality, this is the Loss of conscience.
This is the horn of desire, whether it be survival or love to conquer them!
The mother-in-law couldn't contain her emotions after peeping, and hugged the tree fiercely! It was the moment when her desire broke out completely!
She cried and cried miserably, like a cat in rut.

There are infinitely reasonable associations in the development of the plot, because There are too many possibilities.
The director seems to want us to get lost, so he makes his plot more attractive and convincing.

In the end, the daughter-in-law's bucket is not fetching water.
She used to use a bucket to fetch water, then Water is hope, loyalty, restraint, and
now the water is wild.
When the mother-in-law can't bear the suffering, women are also water. They are the
desire for water.

, developed into a strand, and later, a mass of white. She used the mask on the face of the soldier who passed by and was successfully killed
by her to frighten her daughter-in-law, and used the words of hell to try to prevent the affair from happening.
Failed.
Suspicion, beware of each other.
Their eyes are blue and swollen.
They are all haggard.
They are not haggard for not having enough to eat, they are haggard for their own sexuality.

The mask that cannot be removed from the mother-in-law's face is her shame Her heart is reminding her.
Mother and daughter are their sins. They are all struggling for the mask. The
daughter-in-law hammered the mask with an axe. It was the hammer that broke her own fear and the bondage of her mother-in-law. The
mother-in-law tried hard to tear off her mask, She wanted to take off her reluctance and torn her desire. The
daughter-in-law seemed to want to kill her mother-in-law.
The bitter-faced mask was taken off, and the mother-in-law's face was full of pain. Her face was deformed and bleeding. The wounds were all over. The

daughter-in-law said: You really turned into a ghost!!!!!!!!!!!! The
mother-in-law said: No! I am your mother! I am a human!!!!!! The

ghost said: I am a human!!!! !!
Did she cross that hole full of bones?
People around her said: She's human, and desire eats everything up.
That hole is a woman's genitals... Can they get through it?

From the movie, The style of Japanese movies is definitely revealing and direct.
Women show their chests when they sleep or work, they kill, and their peaceful lives contain infinite emotions.
It is a very extreme way of expressing their animality in this way.

In addition, there are very beautiful images in the movie. The reeds are always swayed by the wind.
The close-up of the dewdrops and lotus leaves during the rainstorm, and the silhouette of the daughter-in-law's face meeting the sunset during the sunset are very beautiful.
Master The lighting is very good, it has the unique texture of black and white movies, and the picture is strong!!

In the aftertaste......

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Extended Reading

Onibaba quotes

  • Kichi's Wife: Isn't it heavy?

    Woman: No. Not very.

    Kichi's Wife: Shall I go along too?

    Woman: No, I'll go by myself.

    Kichi's Wife: But, it'll be night when you return.

    Woman: Once it's dark, it can't get any darker.

  • Woman: It's punishment from Buddha.

    Hachi: There is no Buddha.

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