woman

Felicia 2022-12-07 19:56:24

I don't know when, the women on the big screen are no longer just as innocent and lovely as Audrey Hepburn, or as charming as Rita Hayworth, from "Kind Gold" to "Princess Revenge", to this one. "The Unknown Woman", in a blink of an eye, all the women in the movie became Erinius, the goddess of nemesis. Maybe women have been repressed for a long time, maybe most of the women's films over the years have a prejudiced vision, in short, little women no longer take everything, the golden armor is just a joke, the end of the road is outdated, gloomy and stubborn, forbearance and strong, Women who carry memories and resentments begin to walk in the movie.
Giuseppe Tornatore, in the past 20 years, from "Paradise Cinema" to "The Unknown Woman", nine films have themes from all over the world, and it is rare that two women's plays have been shot in a row. "The Beautiful Legend of Sicily" is still quite lively despite the resentment in the second half, while last year's film was tense, dark and desolate, different time and space, different women, under Tornatore's camera, it was very rare Live infinitely.
Maybe we have seen too many breasts and thighs, too much desire and indulgence these days, and almost forget that motherhood is a woman's instinct. Motherhood has no reason, no excuses, and any rules are useless in front of it. Tian Han said, "Women are weak, but mothers are strong." , not to mention sacrificing oneself to save children, at least do everything by yourself, take care of the little people around you.
A few days ago, Cecilia Cheung returned to work to dub "Ratatouille", and she really looks like a mature woman in the photo. "Unforgettable" is just acting, no matter how sensational , I have a family, the child is about to be born, and my ideal now is to be a good and responsible mother." Cecilia Cheung is finally not that little girl.
Irena in the movie, in order to get close to her daughter, does not hesitate to take risks. It doesn't count as a thief. She even pushes the old woman down the stairs with all her heart, and finally kills the pimp. Warmth. It's a pity that Tornatore refused to give a happy ending. Irena must atone for her sins at the end. Whether the daughter is her own or not doesn't seem to be that important.
Stealing keys in a movie theater is an old-fashioned episode. Peng Haoxiang has played it. Even in the rhythm of this episode, the movie is similar to "The Revenge of the Princess", but one is determined to take revenge on the playboy. One is eager to find the blood of mother and son, and put it back in the plot, which seems to be understandable.
Italy has never lacked elegant directors. Although the film is sometimes tense and sometimes sad, the picture has always been beautiful. Even the shot of Irena standing on the garbage heap is so desolate. Several actresses also have their own strengths, whether it is Irena, or Valeria, who is competing for her daughter, including the little girl Tea, all of which are unforgettable.
Who said a woman has to scratch her head to be attractive? Don't take Gong Li's appearance in the golden armor quite like a mother in the world, a woman who is a mother is much more moving.

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