However, this is still a movie based on the life of a legendary female photographer in the past century. It is a bit ruthless to interpret it from the perspective of a love drama.
The film's photography is excellent, saturated colors, meticulous composition, documentary tone, but full of poetry. As you can imagine, being able to photograph those deformed people is not only not scary, but also quite interesting, which is an amazing aesthetic work in itself, and it is worthy of appreciation.
Being able to face the torture of public aesthetics, the feelings of breaking through the moral shackles, and the germination of female consciousness, with these blockbuster elements, the name seems to be Steven Shainberg's director, but he just made a decent movie.
Like the name, the movie itself has become a smooth skin.
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