After watching, the plot is simple. To apply LY's generalization, it is the normal life of a small person, who is involved in uncontrollable turmoil by sudden love.
A hearing-impaired lady is cautiously working as a secretary. Until I met a man who just got out of prison. Whether it was out of loneliness or out of pity or safety, she hired this down-and-out man with the only right she had. Later, she used the man's force to defeat several opponents at work, and the man also used her lip-reading skills to make a fortune. In the end, the irrelevant people died, and their desires were finally released.
It was shot very hard. Lots of shaky shots, close-ups in dim light, and no transition from silent to rock background to live sound, hard and stunned. black.
Because it is about the unspoken desires of people.
Those mindless bouncing things that hide in the darkest places.
The so-called lip language is nothing more than a desire that cannot be spoken but is broken.
The humble heroine who silently endured bullying would bite someone when she got the chance.
She took a deep breath of the man's scent. The condition for her to take risks for him was that he would still come to her day shift. Is it because of love or because of loneliness?
And that double line, the man's mitigating officer has been struggling with himself. Struggling between love and killing. (Did he kill his wife because he loved her? I don't understand). It's really a very abruptly split double line.
Perhaps this is profound. But what I saw was the depth of the painful bravado. The nature of film noir?
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