In 2005, the actor Hoffman may have made Capote more real and profound, but it may not be as easy and attractive as Capote in Infamous. Infamous made the story behind "Cold Blood" "vulgar", but it was just the right amount of interest to make it more approachable.
Anyway, there's an extra kiss between Capote and the new 007's Perry Smith. This draws the line between "Infamous" and the no-makeup version of "Capote," telling the same story in a different style, and with just as much power.
In Infamous, Truman Capote's true nature aside, Toby Jones brings this monster called Capote to life. His cunning, gossip, vanity, ruthlessness, sensitivity, conceit, his pure "femininity" and selfish coolness, as well as his unique observation and insight as a writer or reporter, are all vivid. Even at the beginning of disgust with this clown-like character, he was eventually attracted because he was full. Just like those acquaintances who haunt around, with bizarre personalities, they have to accept it after all, because they know too much. Toby Jones grabbed the audience's attention with this 110-minute highly consistent and exquisite performance throughout the film, making people have no time to look away.
At the end of this version, there is a clear bond between the documentary writer and the murderer, and the two cherish each other. Capote, who was originally for professional purposes, became emotional and reluctant to part. It's a typical Hollywood ending, and it's a soothing end to the slightly garish Capote, which, while not as realistic as it may seem, is invaluable for the film to maintain the style from start to finish. If anyone remembers that beginning: pomp and loneliness, pleasure and unpredictability~~~~~~
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