Vincent Gallo's intention is to make a movie It is an independent production that is both powerful and profound. Unfortunately, most of the time is spent on the boring records of American roads and the shaking close-ups of his own confusion. Maybe this is because the multi-purpose all-rounder spends too much thought on the photography art or the soundtrack. For many reasons, after all, only doing so can fully prove its "perfect comprehensive cognition and control" of film engineering. In the first 80 minutes, there is no plot at all, the dullness index is very high, and the probability of drowsiness is very high. By the way, he seduced two big sisters with personality and personality. He also strictly rejected another beautiful woman who was hugging him. Occasionally, he misses motorcycles. The car went out for a few kilometers. And when it came to a rendezvous with a ghostly ex-girlfriend, he suddenly didn't plan to continue "literary and art", and there was no future. The fire of dry wood is so imminent. The ending flashes back to some of the context of the whole incident. The art film Brown Rabbit is done!
Depressed, dry and scary, this is the intuitive feeling of Brown Rabbit. You could say it's a fringe movie with a distinct personality, but I'm really tired of this fringe for fringe's sake. The deserted roads, the desolate hotels, and the emptiness waiting to be delivered are all amazing. That's right, and regardless of the sadness, guilt, or forgetting that is exaggerated in the film, any angle should be used as a starting point to formulate a thick and nourishing one. The processing of the film and then as the main theme of the film is a very neat entry point, but the problem is that everything that has been experienced has to be worthy of this kind of cryptic "silent film"
Movies are always commodities for others to see. If not, why would you let it be released, let it be released on DVD, and let it be shown in Cannes, and the fundamental properties of commodities directly determine that the self-component should be moderated, appropriate, and included. Morality is wrapped and digested into a translucent state, which can also be compared to being stretched and flexed like a spring. The brown rabbit basically has no room for flexion and extension. Positive teaching materials come from Woody Allen or Pedro Almodovar. They rarely devalue the colorful colors and audience value of their works because they gamble on those so-called grand ideological tastes, and you can say that the spiritual connotation of the two is lost because of this. Are you done? When people come out to hang out, you are still playing in the mud. Roger Ebert, the famous film critic of the "Chicago Sun", even viciously called the film "the worst film in Cannes history". Besides, the world is not easy now, and you can only do several jobs by yourself. If the box office goes up to someone else How can it be divided, and after the almost one-sided group encounter like today, even the person who took the blame for you is hard to find. Take a step back and say, even if you want to pay tribute to the master and be bored with the master, are you bored by Theo Angelopoulos and Wim Wenders? From the narrative structure and shooting techniques of the film, Vincent Gallo is only interested in being his own god, but he must have forgotten that God also has bad things.
Chloe Sevigny, who once played with Hilary Swank in Boys Don't Cry, has continued to Bends down to shoot niche literary films like Ten Minutes Older and Broken Flowers, but they are always half red and not black and unflattering. In bad films like Brown Rabbit, there are even more shocking A-level entertainment performances, and the genuine self-trampling spirit may be It's commendable, but it's too much of a sacrifice for an actress who already has some reputation and status and whose potential is far from being fully tapped.
View more about The Brown Bunny reviews
