On the whole, I prefer the NORTH AND SOUTH adapted by the screenwriter SANDY WELCH. This version of Jane Eyre is made more like a romantic soap opera in ancient costumes - it seems to have nothing to do with classics and classics. The location is indeed beautiful. It is so touching that anyone who sees it will immediately fall in love with the British countryside. The handling of a bunch of idle characters (especially Miss INGRAM) is much more three-dimensional than other versions. [Key point] The two protagonists are small. Disappointing: JANE is more than stubborn and stubborn; ROCHESTER is even more unbearable, although it does seem to belong to the kind of domineering and wild type, but the overall temperament is actually very cartoony and normal! Unlucky edge with HUGE HISTORY. Where did the gloomy, sophisticated, eccentric and cynical fly in Ai's original book.
The final proposal sentence is as follows. Pretty NASTY AND FUNNY...
"JANE I WANT A WIFE, NOT A NURSE, MAID TO LOOK AFTER ME. I WANT A WIFE TO SHARE MY BED EVERY NIGHT, OR DAY, IF WE WISH. IF I CAN'T HAVE THAT I'D RATHER DIE. WE R NOT THE PLATONIC SORT, JANE
. I’m laughing at the Fourth Old Man!! Then it’s called the so-called “modernity”, my God
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Jane Eyre reviews
