Since "Midnight Barcelona", like many friends around me, I have followed Mr. Woody Allen's midnight trilogy almost all the way, every part is radiant and radiant. After this, "Blue Jasmine" still has a high degree of attention throughout the whole process. After watching the movie, there were rave reviews, and friends around me rarely opposed it. Hip-hop praised and couldn't praise the play. Wouldn't you say that Kate played the green tea bitch well?
The only second I heard bad reviews came from two semi-literary friends from outside the circle. Their evaluations are all-too wordy, can’t stand it, fell asleep... I think they’re right, as babbling The outstanding representative of the narrative director, Woody Allen’s "Blue Jasmine" is repeatedly rendered uncontrollably on the same theme. The sisters are two bitches, one master and one two-line narrative. The narrative is old-school, and the advancing speed is slow. Any dramatic reversal will be Within the expected range, the surprise that I had been looking forward to did not happen in the end, and the whole movie was swaying and twilight.
Twilight is right, because the 79-year-old Woody Allen is indeed not young anyway.
I think there is no director who doesn't care about other people's comments in this world, but if there are directors who basically don't care about other people's comments, Woody Allen ranks first. He basically uses movies as a preaching tool. He may still care about skills when he is young, and talk to himself when he is old. In fact, all elderly people are the same. They don’t care about what they want to prove to you or what they want to please you. They just hold you back and repeat what they want to say. Woody Allen just happens to be able to express it in a movie. That's it.
"Women in the world are all Bitch!"-"Blue Jasmine" I watched with gusto is that Mr. Woody Allen's "sarcasm" of women is really ruthless, and the term "sarcasm" is not accurate. But it's probably this kind of negative joking attitude: Needless to say, Cate Blanchett's green tea bitch "Ms. Jasmine" is ridiculous and pitiful with all kinds of pretentiousness. The ups and downs of her life are used by Woody Allen. A line in the movie sums it up: "Who am I sleeping with here can I change a glass of martini with lemon?"
Woody Allen's irony is even more ruthless, it is Sally's younger sister "Miss Ginger". Sally has acted as a foil for Kate since her appearance. She can always consciously and voluntarily find a justification for her sister’s green tea behavior. Her tolerance for her sister does not come from sympathy, at least most of it stems from fantasy worship, "ginger" but It's the Loser version of "Jasmine", lacking talent and not working hard enough, so he jumped two steps and went back to the mud to roll. This kind of complex, like the vast majority of rich haters, worships wealth far more than the rich themselves. It is nothing more than their incompetence.
They are all green tea bitches. Cate Blanchett's "Jasmine" is a broken Biluochun, and Sally Hawkins's "Ginger" is Lipton who can always be recycled and refilled. One of the most interesting things is that when many female audiences watch "Blue Jasmine", they seem to be looking at Green Tea Kate from the moral high ground, but they selectively ignore Woody Allen, and in fact scold all the women: Either like "Jasmine", she gets fucked to eat a decent meal; or she works like a "ginger" to support herself, and then for the sake of herself, she commented on her boyfriend Chili "Mr. Pepper" as "He might do it." NS!".
All the other women in "Blue Jasmine" are "not so good", from maids, fitness coaches to lawyers, no matter what occupation they are, they are all bitches on the poles, especially Asian lawyers-men who can sleep. Sleeping all over! (Woody Allen seems to have never loved Asians in the movie). "Ironic" may be our definition. According to Woody Allen, perhaps humans have always been like this: males compete for fame and fortune, females choose the best, green tea or not is just a way, and natural laws are the essence of human beings. It’s ridiculous that people put on and took off their whitewashed coats, and put them on again.
Regarding Mr. Woody Allen himself, his image is extremely deceptive: his height disadvantage makes him look insensitive, and his wise image makes him look like an intellectual.
In fact, women always lower their guard against weak males, but forget that male sexual impulse has nothing to do with this. Woody Allen’s “height advantage” allows him to freely find happiness at the height of the female waist and let him The actress readily accepted his sexually suggestive provocative comments. As for the intellectuals, Woody Allen is of course, but it's much more than that. You can understand Woody Allen's life, but obviously he knows how to use this strength-the more he satirizes green tea, The more scrambling to jump into his teacup.
Woody Allen's love and dislike for women are inseparable. Compared with most of Kong Wu's powerful directors, the sexual impulses in his works are much more abundant. At the time of writing this film review, it happened that Woody Allen's adopted daughter once again issued a bloody and tearful complaint of "childhood sexual assault", and he won another "legend" of Asian adopted daughter, which is no less than any movie story. For her to live, to "do physical work" for her-I guess, in Woody Allen's heart, the standards of adopted daughter and wife are not too different, but they are called differently.
The right and wrong of Woody Allen’s sexual assault on a daughter is not included in the scope of the film reviews. It is just that all the dramatic old cases with his ex-wife may be the root of Woody Allen’s attitude towards women. In any case, it seems that morality and talent do not have to be bundled. Moreover, when discussing this issue, we must first define the two concepts themselves of morality and talent-this is already difficult.
Only one thing is certain: moral standards have always changed, but the scale of talent has always been there.
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