The worst modern story in "Deadly Woman" is because the core of the story is too soft. In a good story, the protagonist should have vitality and resistance, and he should resist something, even if he doesn't know what he is resisting at all. In the first story, the housewife teaming up to kill her husband is resistance. The relationship between the hostess and the waiter girl is a kind of resistance. Playing the piano, singing, and running away to buy a gun are all resistance. In the second story, sibling love is resistance, refusing a loveless marriage is resistance, yelling at a hypocritical and decent restaurant is resistance, and walking with a seriously ill gay husband to the end is resistance. Although the highlights of the characters in the last paragraph are a bit false because of the lack of foreshadowing, it breaks a certain stereotype and creates the image of each specific person. Not catering is also a form of resistance. The third story, the relationship development is all driven by a third person. The problems between men and women are not resolved, but they are reconciled. The attitude of open marriage was put on at the beginning, but the most rebellious attitude went to the most conservative ending.
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