The locations and conditions of the three episodes are different, and the narrative content they contain is also different. The plots of "Flying Gods and Monks" and "Scientific Experiments" are only a foreshadowing in the film. In principle, they are not the plots that the screenwriter and director want to focus on. The real focus is on Piao Fei in the ancient tomb, the princess of the Qin Dynasty with fluttering clothes, the imperial guards of the Great Qin Kingdom who flew in the wind, and the archaeologists who flew over the sky more and more skillfully. The feeling becomes the highlight of the film. It adds to the romantic mood of the film in a virtual way.
Fluttering is a realm. This realm is a dream, but also a fantasy. Many films use similar scenes, such as "House of Flying Daggers" and "Heroes", as well as early films such as "The White-Haired Witch", etc. It is beyond human ability, but it is fantasy. From a technical point of view, I think the similar "Piao Fei" may have a little connection with the "slow motion" in movies, such as "Lushan Love", "Sweet Career" and other films in slow motion, men and women. The protagonists run past each other, with soothing music in the background, presumably the same thing.
Every now and then, it's always romantic.
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