At first glance, this Japanese sci-fi bizarre movie is a bit interesting, as if it is a mixture of visual senses of various masterpieces in the history of sci-fi movies - full of steam industry flavor, an overhead utopia under the strong orange-yellow filter, reflecting on war and civilization, The dialectic of the meaning of life. The mysterious lightning-shaped stele as a plot-promoting prop that falls from the sky is very ritualistic, and the special effects are full of tension. It has the meaning of deconstructing "2001: A Space Odyssey" with the unique passion of the Japanese, followed by the resurrection of the protagonist. The birth of , the escape journey has also been endowed with a certain religious temperament - but not eggs. Since the low-profile version of "Blade Runner", the villain group of four entered the inexplicable castle and suddenly owned an entire golden army of cottages (see "Hellboy 2") and all dressed themselves in washing, cutting and blowing styles. , after that old peasant who was a disgraced old peasant one second ago became a cosplayer of Virgil the next second, the force and depth of the whole movie plummeted in an instant, and it became completely unreasonable. District 11's favorite uniformed hero fighting routine puts aside the previously created worldview.
The screenwriter's brain hole is clear and strange, the aesthetics, and the skill of splicing together the violence of different dimensions of the movie style is really beyond our imagination. For example, if the first half is compared to "Metropolis" + "Apocalypse Now" + "2001 A Space Odyssey", then the second half is "Attack on Titan" + "Kamen Rider" + "Devil May Cry" + "The whole city is waiting for the golden armor"...There is no derogatory meaning for Laomouzi hahaha.
Before watching this movie, can you imagine what style it is just based on the above generalization?
The answer is that there is no style, because it is an extremely messy existence in itself.
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