"Future of the Future": Everyone was once a child, once was young

Jane 2022-04-07 08:01:01

There are Hong Kong version resources.

Director: 10

Mamoru Hosoda: "The Girl Who Leapt Through Time", "Summer Wars", "Children of Wolves Rain and Snow", "Children of Monsters", "The Future of the Future".


Screenwriters: 9

Hosoda Mori: It was my first time as a screenwriter, and my traces were inevitable, hahaha.


Cast: 9


Photography/Visual Effects/Costume: 10

The snow's rotation and falling, the mirror image of the eyes, and the blurring of the aperture, my sister came home on the snowy day, and it fell from the sky, hahaha.

If you've ever "played" with a baby, it's amazing to feel your fingers being clenched.

The background at the back is a watercolor style, and there is a correspondence at the back.

Scenes from the past are properly filtered to allow people to recognize changes from the present.

3D realistic paper puppet mechanical style plus scene.

Various styles are properly switched, and there is no sense of incongruity.


Music/Theme Song: 10

Masakatsu Takagi: "Wolf Children Rain and Snow", "Son of the Monster", "The Kingdom of Dreams and Madness"

The part of the female voice singing in the world line segment is very nice.

Yamashita Tatsuro: "ミライのテーマ", "うたのきしゃ"

Big thing, "Christmas eve" is a Christmas classic, and it's an advertisement for JR Donghai Xmas Express (Eri Fukatsu is too beautiful), and there are also Shinkansen lines in the MV itself, so the appearance of so many train individuals in the theme song means it fits the image.


Overall score: 48/50

This is just my rating.

About the story prototype

The opportunity for the film was that the director gave birth to 2 children. Because of the birth of the younger sister, the older brother felt out of favor.

While the wife and son went to see it, he didn't care that the protagonist was himself, and envied Xiaoxun for having many railway models to build, forgetting that he built it like this every day.

The relatives of the father's character in the film did not appear, probably because in reality the director is the only son in the family, and both parents died young.

About the topic

The individual understands the future family, including the deceased, the living, and the unborn, the family history, and the history of the world is made up of these family histories.

The director mentioned in the interview that "The Girl Who Leapt Through Time" and this film both have time travel, but the two are different.

One is crossing because of technology, the other is crossing because of family.

"It looks like Liangshu, but it's actually a historical index of our family. ... Our family's present, past, and future are all recorded in a card. We have to find the card when my brother existed. ... Like this, all kinds of small things Together, we form the 'now' us."

At last

There are many laughs and tears in the film.

When my mother was "bad" and when she was sad.

The audience for the film is less like children and more like people who have children, and people who were children.

last of the last

Roughly calculate the time according to the season, it is time to grow baby teeth.

1. Thanks to all subtitle groups.

2. This article is only a personal opinion.

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Extended Reading

Mirai quotes

  • Father: This is your baby sister, Kun.

    Kun: Sister?

    Mother: Isn't she precious?

    Kun: [gasping in amazement] She is.

    [pokes his finger against her delicate hand]

    Mother: You have to be gentle with her.

    Kun: [gently takes hold of the baby's hand; she opens her eyes]

    Father: She's awake. I think she's staring at you, Kun.

    Mother: Come on, her eyes can't even focus yet.

    Father: Well she sure looks like she's staring to me.

    Mother: You must always be nice to her, okay?

    Kun: Okay.

    Mother: And you have to protect her no matter what.

    Kun: Yeah.

    Mother: Always.

  • Mirai: You did it again. You tried to hit me with your bullet train even after Mom told you not to.

    Kun: But it wasn't a bullet train!

    Mirai: You aren't supposed to use a bullet train to hit people.

    Kun: It was a Super Azusa.

    Mirai: [angrily] I don't care what kind it was!

    [scoffs]

    Mirai: And why can't you be a little nicer to Mom?

    Kun: I don't know, I just can't.

    Mirai: It's her one day off from work. She doesn't get many and she has to spend it fighting with you. Come on, try.

    Kun: [sniffling] I know... I'm not cute.

    Mirai: Huh?

    Kun: [crying, wipes tear from his eye] Both Baby Mirai and Yukio are really cute. Not me. I know I'm not that cute anymore.

    [continues sobbing]

    Mirai: Oh come on, that's not true. You're very cute!

    Kun: [walking away]

    Mirai: You're the cutest! Adorable!

    Kun: [crying harder; runs away]