The temperament of "Xura Xue Ji" is actually very similar to that of a Western movie. The protagonist is highly skilled, bears a heavy responsibility, and accepts the judge of cruel fate. Xue Ji's fate is particularly tragic. Her birth was decided by her mother, and her birthday was her mother's sacrificial day. The master taught her to become a weapon and a beast, but no one regarded her as a person. Until Zuwei Longling appeared. Corresponding to the blood feud of the previous generation is the complex relationship between the three young people. Kunbu-e likes Xue Ji, and even gave Xue Ji a hairpin when they first met, and Xue Ji also sympathized with the gentle Kun-bu-e, and the hatred between the two made Xue Ji kill Hanzo Bamboo Village by hand. , Kunbuhui also had to stab that knife. Ashio Ryuling has been helping Xue Ji silently, but who would have thought that he was the son of Yoshihiro Tsukamoto who cheated to death. It was out of concern that Japan was going militaristic that Ashio decided to help Xue Ji assassinate her father. During the period of change, Japan seems to have embarked on the road of Westernization, but the vast majority of the people at the bottom have fallen into the abyss. They do not understand what happened, and can only resist instinctively and indignantly, being embraced and sacrificed by the general trend of the times. Xue Ji did not belong to the new era, she only wanted to complete her fateful task before she started to be herself. In the end, Xue Ji collapsed in the snow and wailed like a white crane. Kaji Meiko's Yukihime is really outstanding. She is a goddess of innocence while walking, and she is a blood-stained Shura when she draws out her sword. Her kimono is so beautiful, especially the yellow butterfly on white at the end. Quentin's use of Xue Ji's story in "Kill Bill" is a completely different style. Xue Ji's umbrella? I don't know if the national teacher took a look at it, and only got the iron umbrella of "Shadow".
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