The first time I came into contact with Henghely's novels, it was a little different from the previous ones. The author's logic was quite stylized and satirical. The old-fashioned Professor Rush falls under Lola's pomegranate skirt while investigating his student's addiction to the "Blue Angels" bar. However, after the marriage, Lola is still the unrestrained pub girl she used to be, provoking Rush's tolerance and concessions again and again, and destroying the reckless love and marriage of the two. Rush still adheres to the rigorous and disciplined state of academic development, and finally wakes up and explodes in the miserable life of the bar and the drunken life. Marriage is his brave attempt and the breakthrough and breaking of his temperament. Since then, it is destined to start an irreversible tragedy. The two are also travelers who cannot meet on the parallel line of the soul. At the end, Rush walked into the classroom and cried bitterly while holding the desk that he had held for several years, but he couldn't go back after all. Lola, like everyone in the tavern, sticks to her true colors and is addicted to the world of fantasy, so she doesn't feel inappropriate and dangerous, and does not need to reflect or suffer. Rush is a frog who has been mutated by desire. Well done. We don't know if Rush will ever be able to return to being the old-fashioned professor who was his true self, romantically commenting on Shakespeare's plays, and lingering in the halls of high art, but it is certain that he will never again be He will never go back to that tavern. Even if he is down and poor in the second half of his life, he will benefit from his awakening and self-examination for the rest of his life. May he still be the one who looks up to the heights of his spirit.
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