About the play’s gender and love outlook

Layne 2022-10-24 04:25:29

Is it worthy of the level of the pay desk? After all, I have the conditions to take care of the three views of the middle class (white left). I can’t see it clearly in terms of gender roles and gender relations. I burst into tears. It’s been a long time since I saw a non-LGBT drama where LGBT characters accounted for such a touching proportion
. Three they don't want a man. Hogarth's triangle perfectly defeated the above three, especially Hogarth and Pam's relationship and relationship pattern in the second half. When Pam refused to propose and said that he was a Catholic believer, he was able to defeat the old "fox spirit third party" routine. Hogarth was so scumbag that he saw a trace of true feelings, this is also a routine that never expected. At first, I deeply felt that Pam took the clothes, but in the end, the whole show actually liked this young lady the most?
I was also very impressed by the last two penthouse owners who were persecuted by Kilgrave. Jessica picked up a photo on the table after entering the house. The pair of smiles was really brilliant. I was very sad. I don’t know who survived. How will that little brother live in the future? PS screenwriter, tell me the truth, insert an Asian gay supporting role, is it politically correct? Since he was going to get together, why did he die again of Asian? Feeling desperate (.
Finally, I will evaluate Jessica’s various emotional lines. First of all, Kilgrave. I have to say that the evaluation of this single arrow can see people’s emotional outlook and maturity. As far as I can see, Kilgrave’s attitude towards Jessica is very Like some (pronounced: most) adolescent boys who think that their affectionate money is of excellent quality, but have not yet learned to say that even if you are a cool dick, you just don’t like it if you don’t like it. Rolling is not infatuation but entanglement. Of course, the role of Kilgrave is much more complicated, as DTT said in an interview, he is too used to the whole world around him, once he meets a person who does not obey him, the whole calm villain is big Perverted personal settings are about to start to crumble. It is not so much that he wants to get a girl he likes, it is better to say that he can't tolerate something that he can't get. Watching the last few episodes, he controls Luke and then yells to Jessica, "It's all It’s actually me that you are after" is evident. (That scene was born and laughed for me, it was really pitiful and funny)
Then there is Luke, hey, I'm an official party in capital, Luke is so cute. Compared with Kilgrave's bluffing calmness and creepy ability, Luke knows who he is, where and what he wants to do, so he naturally reveals a kind of power and reliability. From being broken up to speaking out and staying, the whole relationship is handled without any muddling, what is it, and emotional intelligence has simply thrown away Jessica. I especially like his adult love view of "I like you and you have to say it, but if you want to divide it, then I have nothing to say". To be honest, I have to find Luke if I want to make an appointment. It is worthy of peace of mind if I don't talk about skills (cough).
The last stop is the non-CP Trissica. If Luke is in Jessica's present moment, she sees her touching emotional intelligence and character but still chooses to fall in love, Trish has always seen Jessie, who has not experienced (too much) ruined inner heroic soul, with gleaming soul. Heart). The setting of the best friend/half sister is great. It has both the fetters of the family and the support of equality and direct vision. Every time Stimpson tried to black Jessica, his face was stunned, and he felt sorry for him to no avail. 233333. In addition, although I probably stood for a second, no, a minute, okay, two episodes of Lily, the friendship between women can be so pure, okay! (Forcibly convince yourself ing)

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Jessica Jones quotes

  • Jeri Hogarth: You're coming across as paranoid.

    Jessica Jones: Everyone keeps saying that. It must be a conspiracy.

  • Jeri Hogarth: The real world is not about happy endings. It's about taking the life you have, and fighting like hell to keep it.