Sense of gap

Shaina 2021-10-22 14:31:41

I watched I Know Women's Hearts before, and only turned to this film in the past two days. After reading the title and introduction, I found it weird. Because I still have a little appreciation for this storyline before. After seeing it, I felt the huge gap between the two.

Get rid of other differences, such as production level; investment; scene scheduling, etc. For a long time, the biggest gap between the interpretation of such stories at home and abroad has been the most basic and important point of the film: the sense of nature; the handling of details. . .
Plot - a similar story. It is natural to deal with the details of the plot. A movie is to show people a story, a life, and an environment. When you look at it, even if you understand it in your heart, it is just a movie, but it still makes people feel like it. Environment, to experience a different life story. One, even if it's just a storyline, it makes people feel that it is difficult to swallow, without the real sense of life, and more and more just experience a stage play with soft and beautiful pictures (of course, there are also stage plays in stage play. The essence of that art form does not mean to belittle the art form of stage play. Here I just borrow the word to express the realism of the full-frame living environment that is not a movie. Hopefully, don’t misunderstand). For example, in the design of the final plot, although the original work also explained the process, the heroine’s reaction did not actually feel abrupt. On the contrary, the Chinese version insisted on making a stalk, perhaps because of the twists and turns of the plot, but in fact, The feeling of seeing it is really many times in one fell swoop.
Scenario-The design of the company environment. The processing of the Chinese version is similar to that of many urban bubble dramas in recent years, creating a so-called imagination space (in fact, there were similar designs in Hong Kong movies more than ten years ago), such as the fairway . (Although this also made a small burden). . It may also be that I am ignorant. I really can't think about which company's office will have such a design even at the level of director/vice president.

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Extended Reading
  • Gregorio 2022-03-25 09:01:06

    this. . Isn't it the prototype of the movie that Andy Lau and Gong Li played? . . Domestic films are not enough, such a cottage.

  • Lorena 2021-10-22 14:40:53

    Personal preference of director Nancy Meyers: "Born to be a couple"> "Love is complicated"> "Love is a compromise"> "Eavesdropping on a woman's heart"> "Love holiday", really is a director who only loves one theme in his life what!

What Women Want quotes

  • Nick Marshall: [while walking to his apartment he sees Lola] Lola.

    Lola: [muttering to herself] It's okay, it's okay. Okay, here he comes.

    Nick Marshall: Lola?

    Lola: I know I haven't heard from you.

    Nick Marshall: Lola, how long have you been out here?

    Lola: Just a few... hours. Nick, you said that you wouldn't hurt me, and then you slept with me, and then you didn't call me for six days, and that, in the world of me, that's torture.

    [Puts her hands between her hair]

    Lola: I mean, we have this, totally unbelievable, life-altering sex,

    [Puts her hands down]

    Lola: and

    [stammers]

    Lola: you disappear! I mean, you stopped drinking coffee!

    Nick Marshall: Lola. I'm so sorry.

    Lola: It's ok. It's ok, because I figured you your little secret.

    Nick Marshall: You did?

    Lola: It's so obvious when you think about it; how else would you know the things that you know?

    Nick Marshall: It wasn't so obvious to anyone else.

    Lola: Nick, come on. You're so sensitive, you're so aware of my feelings, you're so tuned in. You talk to me like a woman, you think like a woman; Nick! Come on! Admit it, you're totally and completely gay!

    Nick Marshall: I am?

    Lola: You're not? Oh, I mean if you're not, you gotta tell me. You gotta tell me. I mean, based on the other night, just, just put me out of my misery. Are you? Or aren't you?

    [inner thoughts]

    Lola: Say you're gay, then I'm not nuts, not undesirable, not rejected by another guy, just say it, say you're gay, ADMIT IT!

    Nick Marshall: Ok.

    [pauses]

    Nick Marshall: I'm gay.

    Lola: [shakes her head] How gay?

    Nick Marshall: [groans] I'm as gay as it gets.

    Lola: [pauses] You're gonna make some guy very happy someday.

    Nick Marshall: [Groans again] From your lips.

    Lola: Uhh. I hate that I'm crying. Well, lookit, if things should ever change in that department...

    Nick Marshall: Oh, you'll be the first to know.

    Lola: Promise?

    Nick Marshall: I promise. Come here.

  • Lola: [inner thoughts] Hubba, hubba, here he comes, looking awfully good today! And I haven't had sex in 4 months... okay, 6. Ooooh, why do I attempt to stop him asking me out, I'm an idiot, idiot, IDIOT!

    [speaking voice]

    Lola: Hey Nick, how's it goin?

    Nick Marshall: Lola, my love. I can't take "no" for an answer.

    Lola: About what?

    Nick Marshall: "About what."

    [laughs softly]

    Nick Marshall: About us.

    Lola: [inner thoughts] Oh, just don't hurt me, Nick; I've been hurt too many times.

    Nick Marshall: I know how hard it is to go out with someone new. I mean, there's always that fear of... well... getting hurt. At least that's how I feel inside.

    Lola: Do you really?

    Nick Marshall: All the time.

    Lola: Me too all the time!

    Nick Marshall: So, let's just take it slow, and see how it goes.

    Lola: Slow is good. Slow is really good.

    Nick Marshall: Yeah.

    Lola: [giggles] You free tonight?