The second main speech tells the story of the blade warrior continuing his battle to chase and kill vampires after the arrival of the new century.
The fight at the beginning of the film showed an excellent sense of rhythm and rhythm, which is inseparable from the update and upgrade of the creative team. Donnie Yen joined the film as a martial arts director, injecting new power into the second part, coupled with Wesley Snipes’ skills, one move, one move, not only continued the cleanliness of the first part, but also added more editing. The continuity and the beauty of the air movement.
The hand-to-hand combat, the fast-paced fight, plus the movement of movement and the accompanying movements of kicking, buckling, topping, and stepping on the feet that are rarely seen in Western movies, are no less than any Hong Kong kung fu movie with strong visual effects. From the figure of each actor to the design of the overall movement, the flow is general. If you ignore the western appearance of the actors in the play, this "fight for the sake of fighting" action scene is a common plot pattern in Hong Kong action movies.
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