Tip: The following is a lot of spoilers
(on the image itself, I heard what to see??)
"Forest over static more secluded mountain birds Chanzao"
many times traveling in heavy breathing:
from the "father" and that to to revenge the man
over field and shot numerous times before a key plot quiet birds and vehicles traveling thunder. (There are cars, intercity railroads, etc.) When
vampires are hungry, their stomachs gurgle.
The sound of human beings as they march in the snow.
When the little boy in the film was bullied for the first time, the little villain flicked his nose and said, "Stupid pig". At the same time, the sound of pig humming was mixed with the sound outside the painting, which was full of fun.
After the respectable and admirable lady spontaneously ignited, the plot of a boy brushing his mother's teeth was interspersed. The picture here is warm and full of the smallest taste in life. Light pacing + rhythmic brushing of teeth + finally the mother and son smile at each other. After the heart-wrenching scene, come here and feel comfortable.
The sound of the two little protagonists knocking on the code on the wall: "Long, short, short, long, short" is probably similar, but I can't remember it completely. The end of the film appeared again, one person knocked on the package first, and the other immediately responded with an understanding on the table.
The mirror images of the little boy echoing from the beginning to the end, and the handprints behind the glass window.
In the middle of the film, the vampire and the vampire are moving close to each other while holding the door glass.
The snowfield on the roadside where the fat man was killed has been seen many times since then, most of which appeared in overhead shots.
The scenes of vampires killing and eating blood are all medium shots.
At most, cut a close shot last.
Of course, the sound and picture of the whole film are not synchronized many times, the sound and picture are in place, and the cool, moderately melodious soundtrack.
Finally, I have the deepest two episodes: the pool at the end of the movie, with excellent performance of sound, picture, and light. The person watching is comfortable. The last big panorama (crying sound) adds an empty shot of snow to end and transition, beautiful.
Immediately after that, there is a section on the train. I don’t know how you feel. I am a mixture of joy and sorrow, both cold and warm. As for why the next part discusses in detail.
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In a word:
The design and presentation of the entire sound, and the empty mirrors in the flowing picture from time to time, make the image of the whole film very vivid and appropriate. The whole film is interspersed with the germination and flow of emotions in countless deaths. After the bloody scenes concealed the faint taste of life, in addition to countless indifference and insulting scenes, there is also the warmth between humans and ghosts.
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(What did I feel? What did I associate with? What did I overinterpret?) The
surface is: the story of a little vampire girl and a little human boy.
The actual truth is:
a neutered old vampire who has lived for at least a hundred years (a flashing lens suggests) and a little human boy "utilize", "communicate", "rely on", and "warm" each other, "Emotional" story.
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The subjective emotions of the little boy are changing and moving forward: a
single parent family, the father is a homosexual (there are scenes and plot performance, pay attention to the director gave a close-up of the feet of the man who went to his father's house The camera is the clearest hint. Of course, even without this, the audience can understand the embarrassing scene afterwards.)
Often bullied by classmates, I am interested in crime and murder. Take a knife and make a gesture, and carry it with you when you are away. Can accurately answer the police's questions, etc.) The
first sight of the "little girl" makes me feel good.
Go to the store together, he bought food and want to share it with him. But how can a vampire eat? The "girl" refused at first, but seeing the boy's disappointed expression, the "girl" still ate a piece, and the camera immediately switched to "girl" spitting out on the wall. Ordinary boys would be moved when they saw this scene? Hehe, of course, under the premise that he already has a good impression on him, if not, he would not feel it.
Immediately after that, the boy hugged the "girl". The "girl" said at this moment: "Oscar, do you like me?" The boy said: "Yes" "If I am not a girl, do you still like me?" "I think so" The boy's answer here was unintentional, and he immediately said: "Why?"
The conversation between the two people on the bed became more interesting, so let's not talk nonsense here.
The two people’s sense of dependence and emotional communication are advanced in layers, and the whole line is very clear: in the
end, Oscar first knew that the "little girl" was not a human, but a vampire, and was still a very old vampire, and through dialogue, he also learned about his past. After many "protecting and serving him" (the section about money), I accidentally learned that the guy is not even a "girl".
The director showed the boy’s reaction after he gradually learned all this, what it was like at the beginning (from the back view to the surprised expression to a trace of fear, such as imagining the girl’s aging shot), and what it was like later (more curious, exciting, right) Appetite, more attachment) Note that when Oscar knew that the "girl" was a vampire, it was the "girl" he took the initiative to look for.
The best two sets of scenes are: the
vampire, without being invited into the private house, has blood oozing from its seven orifices, back and head. Oscar still couldn't bear to say "You can enter"
after Oscar saved the girl, his mouth was covered with blood. The girl gave him a long kiss, a deep kiss.
-------The
vampire part: The first time I met with the boy, it was a big winter, and he was in shabby clothes. There is still a "taste" on the body. After the meeting, it will be completely different.
Knowing that I would vomit after eating, I still ate it.
Knowing that I entered the meeting without an invitation, I still entered.
Encourage boys to resist and not be cowardly. Etc., etc.
------To summarize
a few feelings and associations:
The old man in the film who collected blood for the "girl" murder was voluntary and willing.
In the end, in order to protect the girl to prepare for her own disfigurement with sulfuric acid, she took the initiative to probe out and donate her blood to the "girl".
There is nothing pathetic, pathetic, pathetic. Those are all absurd feelings forced by outsiders.
The old man looked at the "girl" and said: "Can you do something for me? Don't meet that boy tonight." I won't talk about it in detail here. This topic is a long way off. The opinion is estimated to be different from 99% of people, so stop here.
Why I say this is a story about an old vampire and a little human boy "using", "communication", "relying on", "warming", and "creating feelings" with each other.
You can't simply say that the "girl" is completely using the little boy to take over the old man's class. Similarly, we can't say that they are pure "love", because there is no pure "love" in this world. Their relationship is very complicated and contradictory, with all kinds of things intertwined and intertwined.
"Utilization", "communication", "relying on", "warming", and "generating feelings",
I can only sum it up in this way.
I have to admit that the director tells the audience that this is the beginning of another reincarnation through such images as the heavy snow echoing from the beginning to the end.
So at the end I mentioned that I was a mixture of joy and sorrow, both cold and warm. The feelings are extremely complicated, just like the protagonist's emotions and relationships in the film.
I think this sense of empty space and time really makes me feel cold,
but after being cold, I will think:
Why do you want to focus on the results so hard, the time and space experienced by the process are much more than the results. Knowing this not-so-perfect ending, just give up the beautiful process? Knowing that the final outcome is death, don't you just die?
All spiritual emotions are constantly changing, flowing, extremely complex and rich.
The so-called "love", "friendship" and "family affection" are all artificially created and rigidly defined "words". The crude and absurd classification of "emotions" basically violates the instinct and nature of animals.
Under the dual action of objective environment and subjective factors, corresponding "emotions" will be produced, and there are indeed countless possibilities for its objects and methods.
------The
"girl" in the film asks Oscar to understand him and think about it from his perspective.
Human beings slaughter livestock and poultry and slaughter fish for better survival. They can say
something like: "I have no choice but to do this." The
greedy vampire kills and eats blood for immortality.
"I kill because I have to do it"
Is there a fundamental difference between the two? of course not.
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Finally, I have to admit that I personally have a special hobby and preference for films with this kind of temperament and subject matter content, just like I have loved traveling and wandering since I was a child.
"Mimi Wanderings" is the animation I felt most when I was a kid.
When I watched this film at midnight last night, I was in a very good personal state. I mobilized all my brain and emotions, and I was very involved. After reading it, it is estimated that the feeling after smoking powder with some friends, having pedicure, and after going through the cupping pot is similar, quite refreshing.
The outstanding picture and sound effects combined with the content I am interested in, for me, is a relaxing audio-visual enjoyment. It is simply a film tailored for me. So utterly nonsense, if you read it from start to finish, I thank you for your time.
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