The structure and narrative are very smooth, the later episodes begin to loosen up, and the classical music at the end is well matched.
The first two episodes have a tight rhythm and a lot of information, which is actually dominated by men. In the eighth episode, a narrative was added in the middle of the memory. It was a bit messy and I felt that it was not helpful to the narrative.
The male protagonist looks very "civil servant" and survived the fierce fire between Party A and the boss. He took the lead to explain the difficult living conditions of the workers. In the worst situation, make relatively less bad choices. Everyone in the family is a lone wolf, smart, sharp and hardworking. (Although the daughter started to act recklessly in the later period)
Strange knowledge has increased, but it hasn't increased too much. For example, to be familiar with the law is to better protect yourself (drilling loopholes); if you cannot pay the high funeral expenses, then buy this funeral home; the best way to repair broken feelings is to find common enemies and form a community of interests . The alliance relationship in marriage is stronger than love as a chemical substance.
Similar problem-solving ideas are not in line with the mainstream, but looking at it from another angle, it does solve the immediate problem.
Or when the problem cannot be solved, the problem is not regarded as a problem, and there is no problem to worry about.
One of the “villain” characters portrayed in particular is the policeman, who is set to be a gay man who is unscrupulous, uses informants, his mother is taking drugs, and who often looks pale. The negative elements in him seem to surpass the positive elements. A little bit like Ma Hong in "Prison Break".
The rhythm of the first season was very good, I was very curious to go through the choreographer. Director Andrew Bernstein has filmed "Mad Men" and "Doctor House", and Daniel Sackheim has filmed "Breaking Lawyer" and "Doctor House". No wonder.
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