A bowl of ordinary barbecued pork rice in Stephen Zhou's hands, it turned into ecstasy rice. The cold rice of the poor boy sugar daddy was also deliciously fried by Woody Allen. In the classical hereditary theory of Long Shenglong and Feng Shengfeng, a poor boy who is not well-known has to change his background and climb up. There is no reason to succeed. Therefore, seeing Julian in "Red and Black" suffered a disastrous defeat, he was very dissatisfied, and he did not make money or kill him. Where did the capital crime come from? Chris in "The End of the Match" was born at the right time and had a chance to escape punishment, but he felt it was an acceptable ending.
Just like before the reform and opening up, it was a crime of speculation to use small brains to engage in hawker sales. It would be a crime of speculation to be sent to the wilderness to be transformed, but now it is the forerunner to invigorate the market economy. Many ideas are good things, I'm afraid you won't think of it. In the eighteenth century, it was a capital crime to take advantage of the relationship between men and women. Now I'm afraid you can't do it. Social progress gives people who are behind at the starting line more opportunities to be uncomfortable with the status quo and try to change the status quo, which is conducive to social progress.
Such a change is evident in the step-by-step improvement in the treatment of the wealthy. At the end of the eighteenth century and the beginning of the nineteenth century, Julian was convicted of criminal motives under harsh classical criticism. In the 1950s "Lang Heart is Like Iron", George allowed others to die in order to fulfill his love, and he did not escape the trial. "Although I will not kill Boren, Boren will die by me." By the 21st century "The End of the Game", Chris not only killed the pregnant Nora himself, but also took the landlord's wife by the way in order to fake the illusion of robbery, but fortunately escaped punishment. Not only that, only Chris has achieved both fish and bear's paws, with great results. Unlike the two seniors, they can only advance their imagination of success, and die before they enjoy the results.
I really like the entry point chosen by Woody Allen-when your serve hits that critical point, it is likely to slip past and you will win; it may also be bounced back and you lose. In many cases, luck is needed for a turning point in fate. Chris' desire is the desire of every ordinary person. The choices he makes are also choices you may make in his position. His weaknesses, his fear of committing crimes and his fluke while covering up crimes, as a bystander, can be fully understood and felt. You can almost ignore the distance between him and you, and even privately hope that he escapes punishment. This is the angle Woody Allen chose, and you can see the sly eyes behind his thick lenses. He makes you feel that if you have a chance, you can also be Chris.
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