The Great Dictator: Teach some comedies with film reviews how to criticize

Clementina 2021-10-22 14:30:51

In my opinion, many artistic aspects are not obscure, and no matter how deep the thoughts are, they can be expressed very simply and made clear to the audience. Many film critics like to dig out some deep human nature and potential connotations, and often place a movie on the level of the high historical future of humanity to position it. Tossing over and over, playing with sentence patterns, talking nonsense, and self-righteous. My point is, whoever believes in them will be finished!

When you comment on a movie, just tell the readers what is good and what is not good, so that readers can understand your point of view and have a macro view of the movie. This movie review is successful, although it may not be wise. The characteristic of many film reviews is that they have been talking about it for a long time and are incomprehensible.

Whenever I read this kind of thing, I have the urge to kill him.

The Great Dictator is a movie that I have watched several times recently. I particularly like to watch some classic scenes in it repeatedly, such as the description of the dictator’s high-speed life, a section of two dictators together, and a public speech by Chaplin. Large section.

Chaplin’s performance is very well done. It can be said to be passionate. His neurotic expressions and exaggerated movements make people never get bored. It is completely different from ordinary comedy movies that make people want to laugh and watch twice. Gimmick. When I heard subordinates complaining about my rule, I was afraid of subconsciously putting down his hands, listening to Napoleoni (another dictator who alluded to Mussolini) playing tricks with him when he was playing tricks and bargaining with cunning eyes, and inciting the masses' richness. With his expressions and actions, Chaplin made Heinkel (the great dictator, alluding to Hitler) as the most successful comedy character in the history of comedy, but at the same time did not weaken his character as a dictator.

The supporting role of the film performed well. The Minister of Propaganda Gabezhi (sounds like garbage garbage, alluding to Goebbels, the Minister of Propaganda of the Nazis) has a gloomy expression, is good at catering to dictators, and plays with his wrists, which can be called the reproduction of the character prototype. The other heroine that is often mentioned is called the only character in Zhuo's works with a sense of female autonomy, but it didn't leave me any impression. This may be a typical ignorance and fearlessness.

This article does not mention one-tenth of the classic film. My point is that a classic lens can enhance the status of a film. According to this view, the great dictator should be as tall as Mount Everest.

In short, a classic, good-looking, full marks.

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Extended Reading

The Great Dictator quotes

  • Adenoid Hynkel: Schultz, why have you forsaken me?

  • Schultz: [plane is upside down] We're upside down!

    A Jewish Barber: I know it.

    Schultz: Give me that stick!

    A Jewish Barber: Impossible.

    Schultz: [engine dies] Oh, there it goes. We're out of gas. Well, this is it then.

    [pulls out cigarette pack]

    Schultz: Cigarette?

    A Jewish Barber: Not now.

    Schultz: Then I shant need this anymore.

    [tosses cigarette pack]