No need to sail far away, the world is Lima

Perry 2021-11-22 18:54:14

There is a sentence in the 54th chapter of Herman Melville's Moby Dick:

"There is no need to sail far away, the world is Lima."

I really like this sentence. When I saw the name of the spacecraft in the film "Lima", I couldn't help but feel aroused, and my whole body was shaken, and my mind could no longer jump from the novel "Moby Dick". open.

Roy, played by Pete, is like Ishmael's possession, becoming the only survivor in the boat. At the same time, his identity, or "psychological identity", also corresponds to the meaning of Ishmael's "forsaken" in the Bible.

The father played by Tommy Lee Jones is undoubtedly Captain Ahab who killed himself and almost all the crew (except Ishmael who survived as the storyteller) because of his paranoid desire for revenge.

And the ghostly white sperm whale named Moby Dick is the extraterrestrial intelligent life that the father has been looking for in the film.

Under such a corresponding relationship, the drama conflict that belongs to the film itself is that the abandoned son has been unable to accept his father's choice. He stubbornly wants his father to apologize to him, wants his father to wake up, and express love and regret for himself. Tears.

This almost created another Ahab, and this Ahab has repeated his father’s mistakes and killed his own crew. He has also been entangled in the chain of fate, and is about to be dragged into the ocean of death by "Moby Dick" (space )deep.

Then he realized that his father couldn't turn his head back as he wanted, and how similar he was to his father, why should he be so paranoid, and why should he be so selfish.

Isn't it good to live in the present, live on the shore?

Fate was still gentle with him, and it gave him a chance to decouple. He degenerated from Ahab to Ishmael, and surviving became the next theme. Escape from paranoid thoughts, return to favor, and live well.

After all, without aliens, humans still have each other.

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Extended Reading
  • Michelle 2022-03-23 09:01:37

    Gray is indeed a literary director in commercial films. The grand universe once again shows the blurred, boundless, and lost temperament like Amazon. I really like it. If Gray continues to shoot like this, he will become the next Malik.

  • Deanna 2021-11-22 18:54:14

    Film-noir monologues are inevitably superfluous, but they also invisibly lay the engine that drives the entire film. As a "traumatic detective", Pete calms the contradiction between existence and annihilation in the search for the vast sea of ​​stars, and ends the troubles. After his own "obsession case", he finally completed self-healing. Celestial bases and space stations are both clue locations, carrying types of entertainment functions, just like western gold rush stories or hard-core detective novels, just like common signs in works of the same theme in recent years. The infinite freedom of space in geometric modeling and spiritual sustenance gave Gray a new possibility to analyze and explore the materialization of the inner image of the characters, and no longer follow the trekking in the cities and jungles of Coppola and Herzog, which catalyzed it. The organic evolution of space and roles is unified into a more advanced audio-visual life, which can be seen from the conservative perspective of countless helmets, hatches, and pilots. The shining stars still emit classicism.

Ad Astra quotes

  • Roy McBride: I'm so selfish... I'm so selfish... I'm so selfish... I'm a selfish person...

  • Roy McBride: Why go on? Why keep trying?