The content of the film is by no means true. An excellent London policeman, Angel, was so good that his boss and colleagues were too dwarfed by comparison. So he encountered an inevitable result and was sent to a rural town of Sandford, where everyone knew each other. It is also the first place in the last national village competition. The streets are clean and tidy, everyone abides by order, and there are no drunks, hippies, gypsy girls and crying children. Even better, there is no crime here, everything looks perfect and harmonious.
Sheriff Angel entered a new working environment and met a good partner. Of course, there are more inexplicable colleagues who can attribute all deaths to "accidents".
That's right, the sheriff found in the process of dealing with the trivialities of neighbourhoods completely different from London that there is no shortage of death in this perfect town, and death is bloody and bloody, making this film not much like a comedy. However, no matter how Angel analyzes, colleagues agree that these deaths are nothing more than accidents, and they are not surprising at all. Yes, everyone is smiling in the face of death. Except for Sheriff Angel.
In the end, Sheriff Angel was also attacked and found out what he really wanted. In order to maintain the perfect image of the town, a group of power holders in the town (police chief, supermarket owner, priest, doctor, bar owner, etc.) have eliminated all the unstable factors that have an impact on the harmonious situation. There are corpses in the sewers.
The reason for the murder is simple, for example: his house is too ugly, she laughs too badly, his acting is too bad, she actually wants to move out of our town, and he runs the newspaper. . . Out of control...
The purpose of the murder is very strange. We want to continue to get the first name in the village competition. We want to let the world know that Sandford is perfect and that Sandford has not committed a crime...
The next plot is to resist, Sheriff Angel takes Colleagues who just understood what they really want fought with these old men (and their subordinates). Of course, those kids were also on the side of the revolutionaries.
The ending was simple. The old people in power were finally defeated by the new generation who discovered the truth.
The fierce battle is accompanied by being cool, joking, and making no sense.
There is an interesting setting in the middle. These old black hands behind the scenes are sitting together, wearing black cloaks. While discussing what names should be given to newborn children, discuss who should be eliminated.
Under the manipulation of these black hands, everyone in the town is living in lies and falsehoods. Anyone who resists will always have an accident inadvertently. Of course, there is only one ending: death.
The metaphor here is as obvious as an ant on a bald head. Every Chinese will feel familiar. I just thought it was a film customized for Chinese people.
What is certain is that this film will never be introduced. Fortunately, we still have a network. Thanks again to the internet.
It's a pretty good movie. I regret that I just watched it, but fortunately, I saw it.
http://www.someok.com/2007/06/hot-fuzz-political-metaphor.html
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