Cold will

Johnathon 2021-10-13 13:05:27

The out-of-control and "coldness" that the Coen brothers want is in place. There is a problem with the protagonist's motivation. He is clearly a man who has suffered from social torture. How can this I And acting very young students. Out of control rather than accident is due to differences in expression. The difference between "accident" and "out of control" is reflected in the degree of control. Bird droppings from the sky hit your head. This is an accident. After the same thing happened several times, you decided to prank your friend, but hit your head again, which is out of control. The angle of the Coen brothers is based on the role, and naturally out of control is a more accurate description. The accident in the "Reaper Is Coming" series has reached such an extent that you can feel that the design has nothing to do with the accident. In the end, you just want to see how the character died instead of "Ah, life is so precious, I want to live a good life." "Ice Blood Storm" does not have such a strong sense of artificial design, and naturally you can start to lament the greatness or ordinaryness of life. "Cold" "Aha" and too many seemingly embarrassing and alienated scenes are not to make you feel humorous or boring, but to make you feel as cold as the snow and ice outside the window, and the relationship is cold. The relationship of all the characters does not involve the emotions we think but is external, including the ending, the sudden warmth, which does not dispel the coldness, at most it can be compared to the wood for warmth. Whether life is dominated and designed in the end is not a question that movies can answer.

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Extended Reading
  • Stevie 2021-10-20 18:59:03

    In the works of the Coen brothers, accidents are the main theme of life. The husband asks for money and plots to kidnap his wife; the father-in-law loves money and thinks he is tough, but he was killed by the robbers; the short man wanted to embezzle the money and was hacked to death by his accomplices; the tall man was speechless all the way, so he shot his gun when he saw someone, and finally fell into the woman. In the hands of the police; the policewoman thought that the Japanese were pursuing him, she was insane. The crime plot is mixed with life jokes, and everyone's seriousness becomes more stupid.

Fargo quotes

  • Shep Proudfoot: [to Carl after he inadvertently put a police chief on Shep's trail who's an ex-con] Fuckin' asshole!

  • Reilly Diefenbach: [voice] Mr. Lundegaard? This is Reilly Diefenbach from GMAC. How are you this morning?

    Jerry Lundegaard: [into the phone] Real good. How are you?

    Reilly Diefenbach: [voice] Pretty good, Mr. Lundegaard. I must say, you are damn hard to get a hold of over the phone.

    Jerry Lundegaard: Well, we're pretty darn busy here, but that's the way we like it.

    Reilly Diefenbach: [voice] Well, that's for sure. The reason why I've been trying to reach you is that these last financing documents that you sent over to us... I can't read the serial numbers of the vehicles...

    Jerry Lundegaard: [getting nervous] Yah, well I already got the money. The loans are in place. I already got the...

    Reilly Diefenbach: [voice] Yah, the 320 thousand... you got the money last month from us.

    Jerry Lundegaard: So, we're all set then.

    Reilly Diefenbach: [voice] Yah, but the vehicles that you're borrowing on, I just can't read the serial numbers on your application. Maybe if you could just read...

    Jerry Lundegaard: Yah, but the deal's already done. I've already got the money.

    Reilly Diefenbach: [voice] Yah, but we have an audit here and I just have to know that these vehicles that your financing with this money that they really exist.

    Jerry Lundegaard: [getting more nervous] Well... they exist all right.

    Reilly Diefenbach: [voice] Well, I'm pretty sure they do, but I can't read the serial numbers here. Maybe if you could read the numbers to me on the first...

    Jerry Lundegaard: Yah... well... see... I don't have them in front of me. Why don't I just fax you over a copy?

    Reilly Diefenbach: [voice] No, no, a fax is no good. That's what I have here and I can't read the darn thing.

    Jerry Lundegaard: Yah, I'll have my girl send you a copy then.

    Reilly Diefenbach: [voice] Okay, that's good. But I need to tell you that if I can't correlate these numbers with those specific vehicles, then I'm gonna have to call back all that money.

    Jerry Lundegaard: How much money did you say that was?

    Reilly Diefenbach: [voice] $320,000. I have to correlate that money with the cars that it's being lent on.

    Jerry Lundegaard: Okay, no problem. I'll just fax...

    Reilly Diefenbach: [voice] No, no...

    Jerry Lundegaard: I mean send it right over. I'll shoot it right over. Good bye.

    [hangs up]