Because James Spader is looking forward to this film, it turns out that Spader is the only character who can still be seen in this film.
The plot is so stupid that it can't be stupid anymore, the screenwriter, at any rate you are also writing about international espionage, so don't make it so silly as that of the second website. Everyone except Riddington is clichéd, arrogant and useless supporting actor, cold-blooded and strong supporting actress, and stupid leader who doesn't know how to work. . . To be honest, Riddington is also a clichéd anti-hero character, but because I prefer anti-heroes, I just bear it. I always feel that the screenwriter has watched the various dramas on the market, picks a few characters at random, and puts them together.
I'm going to write a separate paragraph for the silly heroine: I can't think of any recent show where the heroine is more silly than this woman! It's simply better than the 24-hour Jin Dabo that year. I always feel whether the screenwriter has an enmity with this woman, simply deliberately writing her as the most annoying character in the whole play. Obviously he is an experienced FBI agent (although he has just become a test writer, he should be very experienced). As a result, it seems that every time he is on the scene for the first time, seeing the dead body for the first time, and interrogating the prisoner for the first time. , The first shot. . . I don't want to say anything about the idiot, and I always feel that I am very capable. Then, like all shit heroines, they will always mess up at the most critical moment, either they will love Riddington to save people, or they will fall into a crisis waiting for someone to save them. I don’t know how to be grateful if I am rescued. I always have to sing a high-profile, and I have to scold Riddington at every turn. Beasts!". Grass mud horses, shit women, and dogs are 100 times smarter than you!
Oh, I almost forgot, this woman has been playing with the stinky father complex since the first episode. Riddington is your dad, okay? We all know it, we can see it from the first episode, and quickly reveal the mystery, and we all have accomplished our merits. The result is such a heroine who is inferior to shit, the most charming, intelligent, mysterious and most charming character in the whole show, she must be her. I said the screenwriter, can you still have a little more Mary Su? Let Riddington shine in the sun, and this movie can be directly used as a Twilight sequel. Is the audience positioning of this film a housewife? What are you satisfying?
The most depressing thing is that Riddington is actually pretty good. Although it's not the best character of Spader, at least it is the anti-hero type that Spader plays with ease that I like. So I was in the midst of "seeing Spader and feeling pretty good", and it would be horrible to see Spader before it appeared.
In short, this piece is tasteless. If Spader has more time for photogenic, I will probably watch it. If the heroine becomes more, I will not watch it.
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