The eagle-eyed archer is simple and uncle pie, and the Scarlet Witch is so soft and cute. "No Man's Land" is the scorching Gobi sun with its tail castrated in the west, and on the other shore is the quiet and solemn snowy white land of the north, and the scars and fears left by people are the same endlessly. The crime and revenge that occurred are equally straightforward. This film is a savage story for those who are accustomed to the crowded streets in the middle of the city, the grammar, and the surprises of the greenhouse flowers.
There is tremendous energy in the forbearance of the plot. Before the end of the story, the whole story is like a full bow, still maintaining its ready-to-shoot posture. The Indian girl's father believes that hunters can hunt those "wild beasts" because that is also the case. The hunter's own revenge and nirvana, at the end of the arrow, the beast died, only to see that it finally slackened on the bowstring, covered with threads of hatred and sorrow. The impression of the living environment in the movie and the character status of good and bad people scattered in no man’s land are far higher than that simple case. The primitive environment has given birth to a forbearing but unconcealable great power. In order to survive, the victim girl ran for ten kilometers barefoot decisively after looking back at her boyfriend for survival. The man suppressed the anger and stubbornness of losing his daughter. All of them live or die with introverted toughness and tenacity.
There are also many highlights in the film editing. For example, the action scene Hunter and others traced to the drug den of the murdered girl’s brother. The hunter lifted the big shovel and kicked them down. With a bang, the FBI female agent kicked the door open. The editing here can be described as moving clouds and flowing water, and it is more hearty when used in action scenes; when arriving at the board room in the reserved area, the FBI female agent knocks on the door, and the murdered girl boyfriend Matt opens the door to reveal the original situation of the case. The space is continuous and the time is misplaced. The editor inserts the previous situation on the basis of visual continuity, and the unconventional technique is worthy of the name of montage.
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