The host, Samuel L. Jackson, broadcasted a live broadcast by the U.S. military that provided anti-violence machinery to maintain law and order in other countries, but the bombers were attacked by the opposing bombers; these bombers wanted not to overthrow steel weapons, but to commit suicide in exchange for the world media. For his sympathy, I beg everyone to see clearly the US imperial move that "security is in distress."
Samuel Jackson cut off the live broadcast, shrugged, and continued to report on the passage of the Robot Act in the United States.
The play-in-the-play in just a few seconds took "Robocop" above reality, and brought the charm of the tripartite tug-of-war of science fiction and philosophy to the audience.
This is definitely the birth of (another) a profound classic for the hero movie, rather than the seemingly new and dazzling old pendulum suspense of Captain America and the Iron Man.
The splendor at the beginning left me nothing to write about. Audiences like me who love the old trilogy of "Robocop" seem to have the right answer to this new work, depending on what transcripts the director produces. The result was a perfect score. The director not only changed the appearance of the Robocop, but also gave an impeccable answer (secreted here, left as a surprise), but also sighed all the many philosophical questions that this series has questioned: a life is both When the machine is also human, how can it survive? Can the people who develop it compare the way they treat other cold machines? What kind of justice is to use machinery to invade the peace of another country?
"Robocop" is a science fiction film that takes place in the future. As we waited in 2014, there were no infrared monsters, no mechanical slivers, and no electronic brains beside us. But apart from these, is there anything less than these steel monsters in the presence of American troops in the Middle East and South America today? Much of the fascination of science fiction movies lies in the fact that these seemingly cool shells hide the stench and difficulties of reality, and think about the present...just like the body of a robot man.
I am ashamed of my long-standing prejudice. I almost made myself miss the most tribute remake in a few years because of the styling dispute.
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