Before watching Play 4, I specifically asked Ji You Caicai, my outstanding appreciative ability and always serious and excellent: Is it really necessary to play 4 after playing 3? Cai Cai said: I'm really not afraid to tell you, it is always worth bowing to Disney's forces. The screenwriter bet all his chips to present this ending that will not let you down. The new characters you questioned are all cute and want to have them right now. Hello, dad, this is my wallet.
When watching Play 3, I used "comedy sadness" to describe the ending: Hu Di, who was left after the catastrophe, found a new owner, and both he and Andy chose to separate from each other, and choked all the way to understand that this time is probably the real one. Goodbye, not all adventures end up for reunion. Andy chose to grow up, but at the time of farewell, he established Hu Di's irreplaceable position, surpassing Buzz Lightyear, who once made him jealous. There are always stories that lift the veil with a comedy look. In the end, it looks like a pear that is more and more sour. The juice is sweet and enters the throat, and when the core is bitten, the tears are sour. This is already the best answer. From the first episode, this little wicked cowboy has turned into a gentleman who knows how to carry the audience and leads everyone out of the comfort zone. NS.
As a toy, the bond and the inheritance of love between him and Andy also gave a smooth and wonderful explanation at the beginning of playing 4. However, Hudi in playing 4 became no longer calm, that is in the world. In the new environment, the sheriff who was unwilling to let any toy partner be left behind became a sergeant who was repeatedly turned over by the owner and had a gray ball on his body, even his generous warmth. The heart's desire to protect and accompany the children through the first kindergarten day's loyalty has also become the "don't trouble you" in the mouth of other toys. I hugged my shoulders and watched how this new trouble maker and his new partner staged a rather romantic drama "How can I save a person who is no longer loved", "The flawed girl doll just wants to feel the sweetness of first love." ", "Every master who abandons you is like an EX that can't be mentioned", those toys' ridiculous pasts about self-identification and self-finding a way out again come to mind.
In fact, every new toy that has just arrived is what they used to be. The screenwriter has spared no effort to add new toy characters from the beginning to the middle and later stages of this sequel to make Hu Di's encounter on this road sufficiently complicated and interesting. But after looking back carefully, you will find that the character and color of these new characters and their dumbfounding destiny seem to overlap with the tribute of the old characters. The exquisite Gaby doll, who practiced afternoon tea with the non-existent girl owner all day long to the fairy tale book, is like the cowgirl Tracey who was forgotten by the owner in the second episode but always remembers those warm embraces in spring, autumn, winter and summer. I believe that most of the audience dedicated the first tear-jerking moment to Gaby’s sentence "Please tell me whether the moments I imagined playing with the owner are really so beautiful." It can be said that Gaby has the ending. It is an upgraded version of female toys that deserves to be owned. What she faces is not the sentence that Hu Di once said to Triss, "Andy has a sister, she will like you." Instead, she decided through her own observation. Li, the decision made by empathy: Go to the crying girl who was lost, and finally be possessed under the flashlight of a toy life. In the words of Ji Youmeimei, Pixar gave toys human rights.
The Duke of Locomotive, dubbed by Keanu Reeves, undertook the task of "three eyes" in this animated film. With a sense of mission and self-confidence as a lonely hero, it is difficult for people to miss the first episode of Bath Light years. They also experienced "Who am I? I seem to be very powerful in human design! Wait?! That's just human design? I don't seem to be that strong. No, I am me, I am so strong, of course because I am me!" The series is the process of self-doubt to crying and regaining self-worth.
As for Hu Di, the absolute protagonist, he can no longer control the overall situation, taking home every toy he meets in every adventure that needs love. He seems to have gradually reduced to a typical "three-pointed protagonist is responsible for telling the story, and the supporting role is to make people love". However, fellow Ji You Meimei had a different view: Hu Di in this film actually showed a true self. He put his plight, depression, and embarrassment on the table for everyone to see. Is accompanying a child really the highest honor of every toy? Hu Di’s own choice of path is considered negative, but it has elevated his values in a certain sense: Hu Di went from playing with Andy, playing with Bonnie to joining Miss Xiaosao’s partner and becoming a member of the "stray toys". To have fun for oneself has become a more spiritually free and unruly person who continues to guard the existence of the child in another special way. The birth of this ending is undoubtedly admirable.
Pixar has too many stories that are suitable to be used as excellent cases of Change Management, from the TOY series to the mind agent team of previous years, the relationship between people, the relationship between people and the environment, the pain caused by the growth of people themselves, right For children and adult audiences, they see themselves, the world, and the common people separately. I myself did not encounter the TOY series at an age when my young teeth were happy. Perhaps it is a pity, because at my age I can see more of it may be a kind of anxiety, but I don’t want to render this movie too much. It brings you the function of "how to choose the next step in life". No movie can really have such a magnificent function, but it may inspire you to make better decisions. Using my workplace language to translate, Hu Di’s life has been from a young man with a strong commitment and mission to work and employers, and finally a freelancer who works for himself. This really echoes Buzz Lightyear’s. The sentence "fly into space, the universe is infinite".
But Hu Di will not disappear in the historical stage, and will not disappear in the world that originally belonged to him. His story is handed over to Cha Cha: The story is very long, and I will tell you slowly. I don’t know if there will be a next step in such a life. If there is, I strongly look forward to suggestions from Hu Di!
Finally, it is worth mentioning that the re-excavation of the role of the shepherdess conforms to the craze of independent female images. When she chose to charge in the public playground, I seemed to have heard "I Only Belong" and "I belong to myself" and " "LET IT GO", it’s no wonder that Meimei said: She’s afraid she didn’t take the Disney princess script!
View more about Toy Story 4 reviews
