Music feast

Tara 2022-01-26 08:11:30

I have always liked musicals and dance films. I have not seen CHICAGO’s DVDs and CDs for a few years. I heard the CD by chance yesterday. The song "All That Jazz" is really wonderful, so I watched the film and saw it deeply I was so fascinated, it was so good that I watched it for 2 days and watched many clips more than 10 times.

It can be said that the music, singing and dancing of this film has reached its peak in my mind. I really like the Chicago scene in the 1920s depicted in the film. The extravagant, flashy, and powerful atmosphere is really fascinating. The level of photography in this film is also very high. The film is really beautiful and it is also a visual feast.

The two heroines in the film like it very much. Relatively speaking, they admire Renee Zellweger more, whose performance in the film is impeccable. In contrast, Catherine Zeta Jones’s expressiveness is relatively weak because of the script.

Every song and dance in this film is a masterpiece. The beginning of "All That Jazz" is really in love, this is also my favorite JAZZ style tune. After that, Zellweger's "Funny Honey" really melted me.

I saw no less than 10 episodes of "Cell Block Tango", which is really shocking. Of course, some people may not be able to accept this style. "If You Are Good To Mama" sings really charming.

"We Both Reach For The Gun" is really fun, the scene using puppet show is really ironic. I like the look of Zellweger inside, it's really cute.

The most watched segment in this film is the last of the film, where "Nowadays" is sung in 3 consecutive scenes, each with its own unique charm. The first time was after Roxie was released, especially the phrase "And that's good", in which good aggravated and lengthened the sound, which sang Roxie's innocence mentality very well. The second time, Roxie auditioned during the interview, and the singing was relatively brisk. The third time I performed with Velma on the stage. I like this scene very much. It can be described as magnificent and magnificent. If you listen carefully, you can also hear the different tones and tone of ROXIE and Velma. In the following dance scenes, it can be seen that Zellweger is a little thinner and feels sensual and naughty; while Zeta Jones is old and mature. At the end of the performance, when Zellweger said "Thank you" in an excited tone, I couldn't help but smile. Although this is an unrealistic comedy, it is really worthy of careful recollection.

Now this original soundtrack CD is always on hand, you may listen to it at any time, it is a good choice to relax your mind.

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Extended Reading
  • Rhett 2022-03-25 09:01:06

    2013-07-20 The second time I watched it, I felt completely different. From 2002 to 2013, the acceptance of different cultural forms was much higher, and the experience also made the angle different. Broadway musicals have clear story lines, bright themes, gorgeous scenes, and more details due to the film's narrative ability. The song and dance design of the movie is wonderful, considering acting and box office and using movie stars, otherwise the song and dance will be more perfect. Movies are the concentrated expression of Hollywood's technological means.

  • Britney 2022-03-21 09:01:29

    Five-body cast! How can it be so good? Satire the legal system, satirize the media, and satirize the crazy era of mass carnival. The last musical that won the Oscar for best picture made "La La Land" a slag. It seems that "La La Land" is not to be expected to win the Best Picture Award. I saw a particularly good ladyboy show in Thailand, which turned out to be borrowed from this movie. I can do it ten more times! unstoppable

Chicago quotes

  • Velma Kelly: Oh, you're gonna see your sheba do the shimmy-shake... And all that jazz. Oh, she's gonna shimmy till her garters break... And all that jazz. Show her where to park her girdle. Oh, her mother's blood'll curdle if she'd hear her baby's queer for All that jazz...

  • Roxie Hart: [singing] Oh yes, oh yes, oh yes we both, oh yes we both, oh yes we both reached for the gun, the gun, the gun, the gun. Oh, yes, we both reached for the gun, for the gun.