After reading it in one go, I couldn't stop at all. As a commercial song and dance film, "Chicago" is definitely qualified to teach some realistic works how to write the word "irony". The two murderers turned into peerless stars, and the pistols they used to kill became the finishing touches of their stunning performances; the only profitable lawyers sang love, and the polite charity was his famous tool; he still treated his wife with a green cap. The never-forsaken husband turned into a clown and sobbed his own experience but was ignored, and became the biggest joke in this entertaining city to the death; betrayal, shooting, lies, desires are like wonderful jazz, and they support this day after day. The city's insatiable gossip appetite.
The whole movie gathers all the characteristics of jazz music, sex is suffocating, weird to beautiful, unpredictable surprises, wild and wild and exquisite, every frame makes people want to lick the screen. As I watched it, I felt that it would be impossible for me to see a more sexy performance than "Prison Tango" in my life. The crystal garter stockings are hidden in my mind, the black lace corsets are stuffed with banknotes, and the wonderful body can change all lies. Come the truth, a performance that is ridiculously ridiculous but conforms to the public’s aesthetics can also turn a fair and just court trial into a wonderful circus performance. fresh blood."
The compact and smooth editing and the gorgeous setting, the seamless connection and overlap of jazz song and dance and the plot promotion, sweep away the prejudices that the song and dance performances embedded in the plot are too blunt, and never feel inexplicable to sing and jump. People think that for no reason, boring persuasion becomes jazz, lengthy monologue becomes jazz, sad complaining becomes jazz, violent curse becomes jazz, all performances become essential for plot development In part, based on this, I thought I had already killed "City of Philharmonic" and "Moulin Rouge" in seconds.
There are not many good things in this movie. Prison mothers, undefeated lawyers, reporters, husbands who have fornicated with his wife’s sister, and furniture dealers who coax women into bed regardless of their homes are all the epitome of thousands of Chicago residents. . A city steeped in alcohol and jazz has no place to accommodate so much truth, goodness and beauty.
Everyone is rushing to heaven, everyone is in the opposite direction of heaven. Under the sexy and beautiful skins of the two heroines, they are really bitches. Even if they are full of lies and deceit, there is no one. To be able to hate them, after all, in a flashy city like Chicago, the capital of fame and fortune, what could be more inspiring than sexy jazz, top prostitutes and expansive desires?
The seemingly reunion ending is not perfunctory at all. If you look closely, you can see the sharp white space on the back. What about the reputation? Don't forget, baby, this is Chicago!
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