—————— "Peony Pavilion"
"I have a date tonight."
"What? You have been together for so long and haven't had sex yet?"
"She has a lot of routines"
"Who do you think is more provocative?"
"That's all It doesn’t matter. He is from Beijing and has a house in the fourth ring."
"Slacker man"
"Green tea"
conversations occur in close friends every day. Obviously we have become accustomed to the context of modern love and urban life. The busy and trivial utilitarian treatment of feelings, and I am used to my love story being filled with patterned bridges such as sending flowers, watching movies, traveling, eating and so on.
But it seems that the love story of a long, long time ago was not like this.
In the Chinese textbooks, in the love poems of the ancients, the lost Eastern love is like this:
"A hundred years of love has a double heart knot, a thousand miles of marriage and a thread" — Why do you want a thousand miles of marriage? You can see the people nearby on WeChat.
"Love does not know where it comes from, but it goes deep. The living can die, and the death can
live ." — Not in line with modern medicine . but not Jun, drink from the river "---- distance relationship intolerable, and keep pets phone almost
" but the phase Simo negative phase, peony tingqian three way out "---- not love, just change a thing
when I thought When modern life is incompatible with the oriental romance of our ancients, "Your Name." "Appeared.
If "The Peony Pavilion" happened in modern times, what would it be like? I think it should be "Your Name." "Such a story.
(There are spoilers below)
Can people who have never met in Jingmeng really fall in love?
Du Liniang's spring boudoir was depressed, "It turned out that the colorful flowers bloomed all over, like this, they are all ruined by the broken well."
High school girl Mitsuba is also trapped in a quiet and beautiful small village, eager to become a handsome guy in Tokyo in her next life and break her boring life.
So both of them had a dream.
In the shadow of Chunhua, Du Liniang dreamed of a handsome young man, Liu Mengmei.
Mitsuba simply became Taki, a handsome high school boy in Tokyo.
Dreams are the projection of the most secret desire deep in our hearts.
Du Liniang is trapped in her deep boudoir every day. The two-eighth girl is in love with her, but she has to behave dignifiedly and seriously. Even Mr. Teach has to interpret "Guan Guan Jujiu, in the continent of the river" as the virtue of a concubine. It is impossible for her to know what love is, but there is an instinct in her heart that she can't explain to guide her.
The life of the heroine Sanye remains unchanged. In a quiet town, there is a tram every 2 hours, and the convenience store closes at 9pm. The only "coffee shop" in the town is a roadside vending machine. She also wants to break through the existing life.
Dreams help them break through the fog and reach the body of desire.
Du Liniang was surprised when she was in the garden. In her dream, she was carried to the Peony Pavilion by Liu Mengmei and did a shameful thing.
Mitsuba dreamed that she had become the Taki of Tokyo, and she also reaped a fulfillment in the bustling and busy Tokyo. (This quick cut of the two people exchanging their bodies is wonderful and smooth) When the
movie theater comes out, some people are talking about, how can we fall in love with a dreamer?
It sounds incredible. But what if the person in the dream understands the deepest part of our heart, the most embarrassed desire to speak out, and realizes it silently for you?
There are a lot of jokes about the two people exchanging their bodies, but in the laughter, we feel the subtle interactions between boys and girls, like crisp buds, fresh and lovely.
Passing through life and death
"Love does not know where it comes from, and it goes deep. The living can die, and death can live ."
Du Liniang became sick after she was in the garden, thinking of spring and becoming ill. Before she died, she asked her father to bury her under the Peony Pavilion.
Sanye was even more miserable. The village was destroyed by a falling meteor, killing more than 500 people. This is probably the shadow of disaster in the eyes of the troubled Japanese.
So Liu Mengmei and Taki have another identity, they want to save their lover.
Du Liniang and Sanye also have their own mission. They want to break through life and death and reunite with their love.
These four people are pursuing the same thing. They fight against Yama for love, go to heaven and earth, cross mountains and ridges, ignoring legal rules, and breaking the boundaries of life and death. This is the biggest sacrifice we can think of for love.
In order to see Liu Mengmei goodbye, Du Liniang fought for reasons in the Yan Luo Temple, and finally returned to her hometown.
In order to save herself and the village, Sanye brought a small hairpin to blow up the power supply station, steal the broadcasting frequency band, and help the whole village take refuge.
Liu Mengmei only heard Du Liniang's call in her dream, dug the tomb and opened the coffin to find the resurrected Du Liniang, and even went to jail for this.
In order to rescue Mitsuba, Taki went over the mountains from Tokyo to the destroyed village, and finally crossed again, bringing back the information of the disaster.
There are many ways to prove love. But this way of going through life and death is too beautiful and too irritating.
your name?
Since fate is so great, why can't we directly remember each other's name?
Mitsuba and Taki kept reminding themselves, but they still kept forgetting each other's names. This is probably the price of rewriting the timeline.
Du Liniang and Liu Mengmei are more romantic, leaving only one poem in their dreams,
"He is a guest in the palace, not by the willow by the plum."
Love is romantic, and marriage is often not romantic enough.
Because love has a lot of ambiguity and uncertainty, "Two Lovesickness, Two Knowing" is often said to be the most beautiful state of love. And repaying mortgages during marriage, raising children, and going home during the Chinese New Year are almost all things on track.
Love cannot be the precise search for people using search engines. Otherwise, all the fawns bumping into each other, blushing and heartbeat, will disappear because of the words on the board.
So you must forget each other's names.
Forget the name but still remember the feeling of each other. Because the search process is so wonderful.
We are not loyal to the memory, we are not loyal to the etiquette, but we are loyal to our heart, we are loyal to our feelings.
Just like two elderly people suffering from Alzheimer's disease, we have forgotten everything, but we still know that we are each other's partners.
"Like you" is really more important than my name.
The red line of fate,
Cupid and the old man under the moon are both gods of love, but the two are very different.
The arrow of love shot by Cupid was shot immediately after seeing two men and women, emphasizing the randomness and chance of love.
The red line of the old man under the moon is destined in his previous life, emphasizing the tenacity of fate, fetters and endless life.
Before her death, Du Liniang asked her maid Chunxiang to hide her floral fragrance under the rocks of Taihu Lake. Only three years later, Liu Mengmei found the portrait and charged with Du Liniang.
And Mitsuba went a step further and went to Tokyo to find Taki in person, and handed the red string that tied her hair to Taki who hadn't remembered her yet.
Orientals have their own way of seeing life, which is the identification of fate for life after life. I guess it was brought about by the highly regular work and rest of the farming civilization year after year. The tenacity of destiny is just like the spring and fall of every year, and the calamity of fate is like floods and droughts that can never be predicted.
So we have so much respect for fate, such a huge power.
Beauty
"Your name. "This touches our heartstrings, except for the hopeless oriental romance. Also because this story was filmed so beautifully.
Xin Haicheng has made a perfect fusion of classical stories and modern life. The bustling city of Tokyo, the remote town of blue sky and green grass perfectly blends with the background of the whole story, and the clues in the story are even more unified. It is not an exaggeration to say that it is a Japanese travel movie.
Nowadays, love movies often make Shanghai into Paris and Beijing into New York. Why bother?
The image of the meteor is designed to resemble fireworks, dually expressing the impermanence and splendor of fate.
The roaring rainstorm, the rustling leaves, and the sunrise and sunset on the horizon perfectly echo the mood of the character.
In "Your Name. "In the story, fate is like a slender and flexible red thread, unbroken; love is like a beauty separated by yarn, shadowy, implicit and timeless; fate is like a majestic river, cutting our relationship apart, but on the other side of the mountain. Rejoin.
But the most beautiful is the running lover! Because we also look forward to it, even in the world of long-distance love in a 20-minute drive, we can still walk through the mountains and ridges without hesitation, waiting for it, and acquaintance with each other.
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This article was first published in my public account Shaun En En Shao’s Guazi Club (Sean_lalala) Welcome to follow.
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