It's about Joe, a choreographer full of hormones and artistic creativity. Half of his life is art, half a woman, but he also has real love objects (daughter, ex-wife, girlfriend). An artist, and a womenizer.
As a person full of hormones, he has been romantic all his life, and the goddess of death who was the subject of his monologue before his death turned out to be a tulle goddess-finally, this woman is no longer as easy to get as so many women who have experienced it, and after all, she is a little colder, but still sexy ——But in the end, he was "obtained" by him. The symbolic meaning of death is clear from beginning to end.
As a person with artistic investment and artistic creativity, the second half of the film is almost a struggle before death, but there are various jazz shows staged by Joe's dear ones and people he meets before dying. Inspiration bursts, and various scenes emerge. In addition, before his death, when he was supported by medicine every day, he told the mirror "Showtime" every day, full of his show business, and refused to be mediocre and repeated.
When it comes to film production, because it revolves around director, choreographer and editor Joe, it is natural to not fall behind in editing, arranging, and choreography - the editing and music are really dazzling. Among them, there is a film that Joe just directed and finished. It is a personal talk show. It talks about the five stages of death. It appears in the first half of the film and shows part of Joe's work, and then it naturally becomes a self-confession. Well set and well cut. In the end, saying goodbye to life becomes a dance carnival.
The richness of the film's choreography is inseparable from the free play of Jazz's musical nature - under the various possibilities of Jazz, the diversity of choreography is also maximized.
God! This is a movie from the 1970s! ! !
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