Film images, whether commercial films, art films, or exploratory films, are artificially divided into three, six, and nine categories, but their essence is still pure video. It should show respect for the viewer and even the image itself in the image.
video summary
The whole film firmly grasps the ''20min rescue'' movie script law to hold the audience firmly. But in addition, the rationality and emotional connection of the script seem to have been carefully scrutinized, and the ''field'' relationship is relatively rigid and unfamiliar.
After talking about some shortcomings, I found that the biggest problem of the film is the flat treatment of the villain. Maybe the play wants to show the problems of the times, the helpless choices and morbid distortions of the unknown in the big era, but the most important villain has almost no background. The audience's understanding of the villain is only the paragraph after the villain is revealed at the end, which almost explains the words to read the lines, which is very similar to a skin without blood. It can also be said that the words of the two villains can be replaced by any morbid psychological and revenge society words. People always criticize the villains who are profiled. However, the villain of this film does not even have to draw a face mask. The villain's behavior and psychological description are very blunt and weak, and the objective thrust to push the characters to make a series of behaviors is not enough, and the persuasiveness is not enough. Although it is a commercial film and a cool film, there are also many flaws in its play. For example, how does a nobody know that a marshal with strong investigative and anti-reconnaissance capabilities is conducting an extremely secretive drug-trafficking operation that goes against his professional ethics? Why didn't the protagonist notice the villain acting on the plane again?
Summarize
Commercial cool films may have to be built on a reasonable and not far-fetched basis, otherwise, from another perspective, it is the author's all-round mockery of the audience. And this is more like the strange development of commercial films, a reverse evolution, and the powerless struggle and helpless imitation of images in the commercial era.
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