The United States advocates individual heroism, just like the protection of private property by capitalism is their cultural characteristic. You can be very individual, as long as it is harmless. They can all be tolerant, but this film is a scene set specifically around the protagonist. I feel that the screenwriter is not good. Of course, this film is also very old. Judging from the current shooting technology, the technology at that time was not good. I felt that the explosion scene was very real, but I felt that the action was a bit slow. The problem was not in the shooting technology, mainly because the plot was a bit bloody. First of all, the first time. The bad guy didn't kill Keanu Levy every time he was in a favorable situation, and for the first time, he tied himself to a bomb all over his body. This brain-dead design meant that the bad guy was so bad that his brain was so funny. What would happen if you were killed by the police in a gun battle? And the whole body bomb was designed by his mother for 2 years, and he designed himself as an adult bomb. Then, it is estimated that in reality, such high-end commercial buildings cannot even enter the gatekeeper.
The funniest thing is that the bad guy exploded himself in the first action, OK, but the result was unscathed. Are you an iron man? ?
Then, didn't he install the video on the bus?
Why is it being broadcast by the TV station you watched again? ? Don't get it here. And there is no sound when installing a video. Could it be that sound could not be recorded in that era? How did that video spread to the bad guy's monitor? Wi-Fi is not there yet, in 1994. It is understandable that TV is live news.
Finally, in the trash building, how can the bad guys capture the beauties? The brain-dead screenwriters simply omit these complicated processes, directly like Chinese Peking Opera, using only a way that can only be expected and unspeakable, so that the bad guys once again have a full advantage. Stand in front of the protagonist. The place where the money is placed in the trash is also a scene design. I don’t know how to move the location of the trash when I put the money. I don’t know if there is something tricky to check the trash.
In the end, the bad guy turns the beauty into a human bomb, and he has a remote control in his hand. Just order Keanu Levi to jump off the light rail and commit suicide. He actually holds the bomb switch in one hand, and fights with Keanu Levy in the other, your bomb switch. It is not just a waste of his role, just like a country with nuclear weapons in their hands, actually unaware that the role of nuclear weapons is deterrence, rather than becoming a burden.
In the end, Keanu Levi gave up the possibility of manually stopping the light rail, gave up the process of calling for help with the light rail dispatch center, gave up the possibility of finding a tool on the subway to break the pillar, and even gave up the possibility of living alone. Then go to death together generously, but God always opens their eyes. The inside is so great, the audience is reluctant to let you die, so the brain-depleted screenwriter let them have an elegant trip on the light rail!
Hello, the plot is full of bugs, and the brain-dead screenwriter intends to make a typical American movie!
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