A movie with only three actors in its entirety is like watching a stage play. It seems that the scene, the relationship between the characters and the storyline are simple, but the drama is full of tension. The composition is static and aesthetically pleasing, and the entire film is well-made. The film uses a simple story of desire to accuse human beings of the harm caused by class domination and class confinement. Everyone lives in the world. From the moment he is born, he is branded with his parents' class, and his life is also imprisoned in his class. All social ethics, religious beliefs, cultural upbringing, marriage and family, etc., are all aimed at consolidating and stabilizing this stratum system. People in each stratum can only live according to the living pattern of this stratum. The master is a noble, perfect, Servants are lowly and lowly, and servants are born to obey the orders of their masters. In the movie, the Count, who did not show up, symbolizes the mighty ruler of the upper class. Her daughter, the poor noble lady Julie, was kept alone in a wealthy mansion that matched her identity. Her mother died young, and she could even dance with her. of young noble men. On the night of the Midsummer Carnival, the Earl went on a trip. Under the impulsive stimulation of alcohol, Julie had a relationship with the manservant she liked. After the impulse, she panicked and panicked, and she didn't know what to do with herself. He adored this noble lady since childhood, and yearned for the life of the upper class, but once he got her, he was greatly disappointed. Originally, this noble lady was just like them, and there was nothing special about it. On the contrary, her spirit was extremely fragile. sensitive. In order to alleviate her guilt, the selfish footman used words to insult Julie. Julie, who had completely lost her identity and spiritual support, had a completely reversed relationship with the footman. She was crawling at the foot of the footman, kissing the footman's shoes, and she was running away. Struggling with staying, survival and destruction, she begged the valet to run away with her. The unwilling valet asked her to steal the earl's money before escaping together. She complied one by one. With a sense of superiority in his identity, the manservant who originally wanted to take the money and run away with Julie gradually recovered his senses under the rebuke of his maid lover who justly asked him to follow his identity and confess his crimes to God. After hearing the news that the Earl was going home in half an hour, he realized that he was a servant and that living on the path of a servant was his best option. Desperate Julie had no choice but to die. In order to save herself and end the nightmare as soon as possible, the terrified valet also implied and encouraged her to commit suicide. Poor Julie walked alone to the creek in the woods and gave her the The razor ended her young life. Her class is both a symbol of her noble status and her murderer. There are many lines in the film that reflect the creator's oppression of class, the relationship between people, gender power, religious belief, and the selfishness and vanity of human nature.
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