The most impressive thing in the film is that "Bao Qing Fang" is the master of the cigarette - the saucy fox who is addicted to smoking.
During the span of 500 years from the late Tang Dynasty to the Southern Song Dynasty, this fox smoked dry tobacco anytime and anywhere.
excuse me？？？？
Wasn't dry tobacco introduced to China during the Wanli period of the Ming Dynasty? It's hundreds of years away.
Did Columbus in the White Snake universe discover that the New World brought tobacco back from the Americas in advance?
It can be seen that the main creator's scheming is deep, and a foreshadowing fox that is not bound by time and space is buried in advance. It is estimated that the mana value is more than the blue bar with nine tails.
And it has the powerful mana of "jumping out of the Three Realms and not in the Five Elements".
From the flash at the end of the West Lake, it can be seen that the fox may be a single dog for ten thousand years. For thousands of years, they have been doing things against Xu Bai, a couple in love. It cannot be ruled out that it is the existence of the helmsman level of "Love to Die".
Also - am I the only one who thinks this setting looks like Wu Mochou?
Another thing - am I the only one who thinks that the vixen's setting is full of the cottage flavor of the Eastern Ying style?
In the general public impression, women in traditional costumes hold the image of tobacco poles. It has been cured by the kimono dust girl.
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Japan has such a social model because the iron gunships opened the gates of Japan during the Astronomical Years. East-West business exchanges were formed.
Although dry tobacco was also introduced during the Wanli period of the Ming Dynasty in my country, it was only used for treatment at that time. It is widely spread among Chinese people, and it is about the Qing Dynasty society wearing yellow robes and jackets. And apart from the wealthy families who can afford it, the folks can't keep up with this kind of fashion. It was not until the Westernization Movement in the late Qing Dynasty that the imported goods such as dry tobacco flew into the homes of ordinary people. It was only popularized during the Republic of China. So Chinese people's impression of women holding dry tobacco rods is probably this feeling:
The old fox sat down on two weird bald scoops, how could it smell like a hundred ghosts walking at night. Even the name of their work unit, "Bao Qingfang", is similar to the famous Japanese monster "Qingfangzhu".
Does it feel like you've seen it in "Spirited Away"?
However, I have my own ideas about the innovative aspects of chasing light, especially in combination with Chinese traditions. You can't just say that people have a Japanese style of copycats based on their appearance. Because of the two cases of bizarre bald heads, our "Hanshan Shide" monk in China is a model.
It looks like this:
It is safe to say that the role of the light chaser is set. In combining tradition and fashion aesthetics, it has been carefully weighed.
Therefore, it has achieved the reputation of "the most beautiful old fox in Baoqingfang" in the audience.
However, in terms of the setting of Xu and Bai, I doubt if I watched the animated version of "The Legend of Sword and Fairy".
This is no longer something that can be perfunctory with the words "similarity" and "homage". Setting the group is too easy.
Any way
No matter how original the shape is, I recognize it even if it's a patchwork. Because the picture is so beautiful!
The key point to mention is that Xiaobai's facial settings are skillfully combined with Tsing Yi's angled eye makeup. It feels refined and atmospheric without losing agility.
It is with such a finishing touch that the art of the entire film is particularly amazing.
Next, let’s talk about the film itself as usual.
In line with the principle of first restraint and then increase, start from the bad place.
It can be seen that the main creator got the creative inspiration of new wine in old bottles. From the perspective of "Snake Catcher's Story", it tells a big background where tyranny is fiercer than snakes. The people are unwilling to be bullied, and in the process of fighting against power, they harvest true feelings and show the light of humanity.
But because he was too greedy, he wanted to express too much. Directly undercuts the theme.
Although venomous snakes are harmful, people are more willing to catch snakes because of the more terrifying heavy taxes.
If the creation is based on the worldview given by Liu Zongyuan, the entanglement of human nature, the entanglement between man and snake, and the entanglement between man and power. The three-layer contradiction fits the tone of a premium genre piece in particular.
In the history of film, there are as many cases as stars showing the light of humanity in harsh environments.
"Life Is Beautiful", "Mulan", "Pocahontas", "The Lion King", "Romeo and Juliet", "Tarzan", "Gone with the Wind", "Landed Bridge"......
Since the main creator has already learned so much from the character modeling, why not learn more about the method of storytelling.
It can be seen that the original intention of the screenwriter should be very spiritual, but there must be some mysterious force intervening, let's add some jokes here, add some meat there, add some action here, and add some curiosity there. Seven plus eight plus made the film into a pot of simmering.
It doesn't matter if the family carnival theme has love, but it's not good if you have sex. It is very difficult in itself to shape the characters well in the emotional drama between men and women, which has not much space. It is not used to express the personality arc, but rudely adds the puppy's embarrassing jokes, flying action scenes and other distracting elements. As a result, the characters are emotionally weak and their motives are unclear, making the audience unable to empathize. It will also feel how the two fell in love with each other inexplicably, and broke up inexplicably.
The lack of charm of the main characters is a flaw in the movie.
But fortunately, it has caught up with the good times, and the audience's requirements for the movie are more tolerant. For a ticket of more than 30 yuan, as long as it meets the needs of the sensory level, it can basically be praised.
The character setting of this film is eye-catching, the scene art is beautiful, the action scenes are exciting, and the funny baggage can cover the appetite of mainstream audiences. Although the tears are more titanic, they can indeed move most audiences. Although physical calculations can't solve the artistic conception of long and elegant hair, but the flaws do not hide the good. As a whole, it has achieved what a Chinese commercial film should look like.
Finally, summarize the theme of this film: It tells the story of the villagers who violently resisted the law and harvested love in a small town called Lei Tingya in the urban-rural fringe of Yongzhou, Hunan.
Oh, it's wrong, it's not Thunder Bluff in Warcraft, it's Snake Catcher Village, Snake Catcher Village.
Pull too much, through this film. It can be seen that the light-chasing animation is a creative group with feelings and responsibilities. They explored the feasibility of Chinese animation step by step. At the spiritual level, it is a standard-bearer animation company. Hope they go well!
(Finish)
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