After watching it for ten hours, I didn’t really understand where it was. I went for a walk in the snow after get off work and thought it might be the 40th Street of 89th Avenue. I walked around the city on weekends and thought it might be Any street in downtown. The characteristics of the city are far more distinct than the characteristics of the street. The cross-flowing sewage, the smoky smoke, the ever-bright light signs, the dirty subway station, the old apartment, the garbage everywhere... Everywhere, everywhere, screaming to the audience: this It's New York, New York, New York! Unlucky, chaotic, distressed, and absurd, perhaps only in such a city can enthusiasm and hope be intertwined at the same time. David Simon is good at portraying the appearance of all living beings, stripping the cocoon, and in the first episode, he quietly spreads out a large web of multi-line narrative: pimps, bartenders, pornographic directors, weathered policemen, reporters, street girls... Everyone looks like They all occupy their place in the bizarre pornographic interest chain, but where is the constant situation, power changes under the surging undercurrent, and industries upgrade when the economy is rising. The most exciting thing about New York is the opportunity that can be found everywhere? ? The Deuce focuses on how the old world collapsed and how a new order was established in turbulent times, and those who were caught up in the waves and plunged into the wrath to create this industry have not been shaped by this industry at the same time. The degenerate street life unfolding with the reshuffle of the porn industry as a clue can only be vaguely divided into a few main character lines: the twins Vincent Frank and his brother-in-law started parlor with the help of Italian gangsters; the maverick single mother standing on the street Candy Changed careers to shoot restricted-level movies; the grievances between Lori, a small town girl, and the pimp CC; the tug of war between Alston, a peace patrolman, and Sandra, an ambitious reporter... The creative team is generous in pointing out the hypocrisy of the "love" that is maintained by sex between men and women. Whether it’s the epigram uttered by Ashley, a street girl who is not favored by CC, or Sandra, who seduces Alston to spy on the corruption inside the police station, or HBO, who strips away the veil of tenderness and points to sex and violence, to some extent, it is also more It touched the innocuous nature of human beings up close. And because of this, the gentleness that these gangsters and prostitutes occasionally show is even more sure to hit: the first stop of the new pawns in the Fallen Street is Leon' s Kitchen, chef and waiter Leon has always been kind to these hard-working girls, doing his best to respect them and protect them from the oppression of life, at least for the moment of breakfast. And the camera is stingy to stop at an insignificant black cook. Leon's story ends when he shoots the rough pimp Reggie with a gun. The girl who sheltered Leon didn't get out of the misery, and was immediately taken over by another chicken head. Facing ridicule with a nonchalant smile, only after drinking did she paradoxically say, "Can I be sad for just this second?" Michelle MacLaren's lens advancement is neutral, almost without any emotion, free and casual. The sharp shots and the seemingly messy cuts perfectly echo the peculiar decadent atmosphere of the hippie era. She is not interested in portraying the loyal and righteousness of the dusty woman, not in applauding the occasional tenderness of whore clients, not in the brutality of judge pimps, because Vanity Fair Who can save whom in the red dust? The only way out is to spell out a steel barrier for himself. This is a piece of chicken feathers that everyone has to face after New York wakes up. At the end of the year, the big drama blowout, and several backgrounds are selected in this greatest city ever created by human beings. The era of Amazon's self-made Mrs. Maisel was a little earlier, and the New Look of the slim waist umbrella skirt during the Baby Boom period, the clean and slender heroine like a ballerina, just catered to the resurgence of retro style in recent years, with just the right feminist issues, let the top The exquisite taste of the city's middle-class has a strong sense of existence. The Deuce focuses on the 1960s and 1970s when the hippies were rampant, and it points directly to the custom industry chain. HBO makes good use of sex, violence, drugs, corruption... It regards scale as nothing, because there is no need to say more, the darkness itself behind the bright is the most powerful mockery of the delicate illusion of fragility. The advancement of MacLaren's shots is neutral, almost without any emotion. The free and casual shots and the seemingly messy cuts perfectly echo the peculiar decadent atmosphere of the hippie era. , not applauding the tenderness of whore clients occasionally reveal, nor the cruelty of judge pimps, because who can save whom in the red dust of Vanity Fair? The only way out is to spell out a steel barrier for himself. This is a piece of chicken feathers that everyone has to face after New York wakes up. At the end of the year, the big drama blowout, and several backgrounds are selected in this greatest city ever created by human beings. The era of Amazon's self-made Mrs. Maisel was a little earlier, and the New Look of the slim waist umbrella skirt during the Baby Boom period, the clean and slender heroine like a ballerina, just catered to the resurgence of retro style in recent years, with just the right feminist issues, let the top The exquisite taste of the city's middle-class has a strong sense of existence. The Deuce focuses on the 1960s and 1970s when the hippies were rampant, and it points directly to the custom industry chain. HBO makes good use of sex, violence, drugs, corruption... It regards scale as nothing, because there is no need to say more, the darkness itself behind the bright is the most powerful mockery of the delicate illusion of fragility. The advancement of MacLaren's shots is neutral, almost without any emotion. The free and casual shots and the seemingly messy cuts perfectly echo the peculiar decadent atmosphere of the hippie era. , not applauding the tenderness of whore clients occasionally reveal, nor the cruelty of judge pimps, because who can save whom in the red dust of Vanity Fair? The only way out is to spell out a steel barrier for himself. This is a piece of chicken feathers that everyone has to face after New York wakes up. At the end of the year, the big drama blowout, and several backgrounds are selected in this greatest city ever created by human beings. The era of Amazon's self-made Mrs. Maisel was a little earlier, and the New Look of the slim waist umbrella skirt during the Baby Boom period, the clean and slender heroine like a ballerina, just catered to the resurgence of retro style in recent years, with just the right feminist issues, let the top The exquisite taste of the city's middle-class has a strong sense of existence. The Deuce focuses on the 1960s and 1970s when the hippies were rampant, and it points directly to the custom industry chain. HBO makes good use of sex, violence, drugs, corruption... It regards scale as nothing, because there is no need to say more, the darkness itself behind the bright is the most powerful mockery of the delicate illusion of fragility.
View more about The Deuce reviews
