When disaster films become "victim films", Qiong Yao dramas are inevitable. "Haeundae" is an old film nearly ten years ago, but I didn't have time to write something at that time. I watched it again today because of boredom and memory loss, so let's write something. It's not a bad movie in my opinion, but honestly, the story isn't good either. It is also a disaster film dealing with water. "Titanic" has history and humanity, "The Day After Tomorrow" has imagination and tragic, and "Haeundae" only has Qiong Yao and a little special effects. No good movies in Korea? Not also. But apparently Haeundae is not. The guilt and procrastination of the main xipi and the male protagonist set off the heroine's courage to love and hate Just leave, when disaster strikes, I find that I can't do without letting go of peace and forgive the hero's strength, he is more hero than the hero, and he can tell his love and hate clearly if he can pick it up and let go. The male protagonist and the younger brother, handsome maritime search and rescue team members vs beautiful girls from famous universities, the boys are too heroic and they make themselves heroic. .
The scientist and his ex-wife were even more speechless. They had not been in touch for many years. The father did not know his daughter, and the daughter called him uncle. , In the end, the daughter became an orphan, and the couple hugged each other and cried and said sorry to die.
There is also Dongchun, who is in a coquettish position and laughs at the audience. He encountered a car accident on the bridge, a tsunami, a broken cable and a person, a container fell from the sky, and a big explosion. Thirteen people—but didn't save the mother who bought his shoes. The little gangster became a big hero, but lost the most important person in his life.
At the end of the film, the heroine picks up the red scarf she threw in the sea from the ruins, but is "released" by the male protagonist. There are heroic and beautiful colors that are memorable, but in the end, after reading it, you will not forget to poke the pain point of tears, and poke the point of thunder.
It is also convincing that disaster films are so boring.
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