Marilyn Monroe is so beautiful that even women are jealous. As a member of ordinary women, she is labeled as "kitsch", and naturally she will not go to see her films. This one hit by accident and beats the few comedies I've seen of every genre, like the cartoon-comedy Despicable Me, the darkly humorous "Outstanding Citizen," like Woody Allen's Literary comedy "Blue Jasmine", Hong Kong's rotten drama "Golden Rooster", such as classic French comedy "Tiger's Mouth Escape", Hong Kong urban idol comedy "Slimming Men and Women", new Chinese comedy Huang Jianxin's "Please Praise Me" and so on. Millionaire Osgu said Nobody's perfect at the end of the film. And this film happens to be perfect, and all the comedy scenes in the play are perfectly displayed. The tones of the black-and-white film cover the shaved cheeks of Joe and Jerry, even if they are in a girl band, they are all charming and moving; Jerry took the initiative to identify with women's identities and behaviors from the position of women from the beginning, and finally caught the beetle-in-law; Joe finds ways to pretend to be a millionaire and win Suger's heart. At the end of the film, the four people told all the lies on the speedboat. Sugar fell in love with the saxophonist for the nth time, Jerry took off his wig and confessed his male identity, and Osgu laughed and said "Nobody's perfect" .Comedy works just right.
The director once said in an interview that he was using a disciplined method to tell an unruly story; I remember an art exam in the fifth grade, which was a free proposition, so I sketched it along the inner and outer edges of a pair of triangles and a protractor. The picture of an old couple eating a bunch of grapes with their faces close to their faces is funny and vivid. Not to mention getting a full score, it was also displayed on the school's pictorial column. It's all about the effect of four or two tricks. The director's screenwriting skills are extraordinary, and all kinds of plots are made at his fingertips, humorous and funny, and not superficial. He is really a genius director!
The sexy goddess, Monroe, naturally reveals a sense of innocence, but also sexy and charming. The two are perfectly combined. Sugar is just like herself, and there is no trace of acting.
The actors and the story are all done in one go, and the production is absolutely perfect. Even today, it is an absolutely excellent work, and it has not become worth watching with the passage of time.
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