Unique Go Mendes

Dante 2022-03-22 09:01:25

The person standing by the sea, the camera keeps advancing and switches to the person riding a bicycle on the top of the snow-capped mountain. 5 minutes have passed. Except for the narration and soundtrack, there is only one line. Give a hug to the lonely old man." Even old, it's still a cult for children, and they call them "little gentlemen." Before Tom Hanks had told them not to bring dice at the funeral, it turned out to be behind the morgue, Newman Take them to gamble. The child won, let the child take the money, and said to go, lest I change my mind. At the child's funeral there is still an interesting story about playing football. The dialogue at night has no soundtrack. During the daytime, there are gangster films on the dining table that look more and more like the gangster films of that era, and the feeling of assassinating the sharpshooter is divine. Peeping in the hole, what you see is the feet and the people between the legs. This shooting angle is quite expensive. This shooting method fills the shadows of childhood. It is the best method I have seen so far. This paragraph is too tense, I will never say Mendes can't do it anymore. I have seen destruction, so I embarked on the road of destruction. Newman took out a coin and said, "A gentleman will pay his debts, and he will do what he says." It's not a line, it must be Not a line, but a direct cut, copying "I don't fight with others" on the blackboard "You have friends in Ireland" I felt like an Irish gangster at first, and sure enough, it looks more deserted than an Italian gangster. Southern European gangsters will always Very lively, not this chilling. It is also the best practice to advance the camera + stacking painting horizontally, which is the best way to express the passage of time. It is much smoother than simply stacking painting. Mendes really mastered most of the tricks. The soundtrack is also very Irish. There is a template that the first things are difficult, but after many twists and turns, the last thing is simple, but something goes wrong. There is only fire, no gunfire, but this one still has a soundtrack. In fact, the soundtrack can also be stopped, leaving only the sound of rain. The soundtrack is already like this, and another shot is needed... Mendes is too bad... I guess I guessed right, without this ending, this film can only have four stars. With a shot from the sound of the sea, the five elements are fully drawn, and after the photo is taken, the cross-cut is faster and faster. Although the boy cannot become a man, he must see heaven. The parts of childhood shadows, the passage of time, and the flipping part of the soundtrack at the end are the best third-hands Mendes has played in this film.

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Extended Reading
  • Selmer 2022-03-23 09:01:29

    Several light and shadow effects (Little Mike and Connor, Mike kills Connor) are great; the scene where Mike kills the old man is so cool, I really like that feeling...

  • Elmo 2022-03-23 09:01:29

    The photography is too prominent, and there are N optical designs that are extremely delicate. Oscar for Best Photography, the eighth place in the Best Photography of the Decade by the American Film Photography Association, must-see films in the photography departments of film academies all over the world. Followed by the soundtrack and editing. The film noir of the new century is already good like this, although the story is a very simple matter.

Road to Perdition quotes

  • Michael Sullivan: When I say "get down", you get down. You don't ask questions. When I say we're stopping to eat, you stay with me. You listen to me from now on! Or you start taking care of yourself.

    Michael Sullivan, Jr.: I can take care of myself fine! You never wanted me along anyway. You think it's my fault this happened!

    Michael Sullivan: Stop it, Michael. It was not your fault! None of this is your fault!

    Michael Sullivan, Jr.: Just take me to Aunt Sarah's.

    Michael Sullivan: I can't take you there. Not now.

    Michael Sullivan, Jr.: Why?

    Michael Sullivan: He knows that's where we're going.

    Michael Sullivan, Jr.: So what are you gonna do?

    Michael Sullivan: Something I can't do alone. You have to listen to me now, okay? Or else both of us are dead. I can make Capone give up Connor. Now, there's one thing Chicago loves more than anything and that's their money. They've got it in banks all over the state. We're gonna have to find it and take it. Are you gonna help me?

    Michael Sullivan, Jr.: Yes.

    Michael Sullivan: Then I have to teach you something.

  • Michael Sullivan: [robbing Capone's money from a bank] That's for you. Call it a handling charge. Tell Chicago I took it, but if read about this in the papers, if I read about the savings of some innocent farmers being wiped out by a heartless bank robber, I won't be happy. Good afternoon.