The soundtrack is a lot like Edward or the Chocolate Factory, that kind of blurry dreamland, where the form is here in Tim Burton, which really dissolves the content. At the beginning, the tragic nature of the villain was revealed, and the richness of the villain's image and empathy were preconceived. The newspaper directly in front of the mirror, blocking the faces of the walking figures, can create a sense of fear. When taking the letter, two moving shots that freeze in an instant. I have been thinking about a question that Alang said, whether an animation that can be realised is still a good animation. I think that if it can be realised, I can only think that the director's imagination is unparalleled, and it does not explain the level of the animation director. The process of fighting itself. The plot that the clown broke out of the spree was really surprising. "It's very short, like all the men in my life." On the set, Tim Burton probably had a haas on the top. Of course, it's not that the Haas is bad, it's that Burton is too strong, and the top is 1. Haas has 40. Bolton is 41. What you reject, I cherish. You hide, I see. "Honey, I'm back, I forgot, I'm unmarried." It's all about psychics, bats, penguins, and Catwoman's mission is revenge, just like "The Wax Museum of Horror". However, the plot of this one Some procrastination, it is really not as good as the first one, I feel that the first few scenes in the mid-term are not good enough. The Penguin's performance is good, but it seems to be too hard. This can also explain why the third part was replaced by Schumacher, although it was worse.
Well, a good "Batman" is always the same.
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