The two stars are for the first dozen episodes.
To be honest, the previous plot is really in line with an excellent American drama. The plot is ups and downs, which is addicting. Once a problem is solved, more mysteries will be brought up, which makes the initial look and feel of heroes very good.
However, I don't know what happened later. It started from about 18 episodes. The plot became a mess and illogical. I felt that many people's actions became unreasonable. Very simple things had to be so complicated. It's like a sitcom without a script, and a group of actors who have acting skills but no brains can improvise. I'm sorry, the acting skills here only refer to some of them. The acting skills of the two main characters, Hiro and Peter, really make me very happy embarrassment.
Advice for those who want to follow the drama: If it is out of curiosity, you might as well try it out. To be honest, there are many pits buried in the first half of this drama. It is very interesting, but, I have to warn you, there are many in the second half. Locally, the screenwriter is filling the hole with shi. Moreover, the acting skills of some actors make people anxious, and some of the more important roles are really annoying. I don’t want to talk too much about the setting of time and space. The processing of the timeline is really difficult to grasp, including a lot of things about time jumping. Some excellent works, which have a very unique interpretation of this aspect (I prefer to use the word interpretation rather than interpretation), but this show is definitely the worst kind of thing about it.
The following content involves serious spoilers and spit with a strong subjective consciousness, please watch it as appropriate.
Just a few points, why is Hiro's bug skill so useless, just pause time and kill sylar? Can't do it? Peter can't beat the boss with his skill advantage? The most incomprehensible thing to me is that he was still invisibly turned his back to sylar and was inserted into the back of his head? I feel that the only person with online IQ is Sylar, but in the end, what does it mean when Hiro runs over with a sword without the ability to stab him to death? Forgive me, I really can't understand the screenwriter's brain hole, and why no one sprays these? Am I the only one who thinks this way? Let's not talk about the fact that Hiro can't kill sylar. Regarding the main plot in this play, the big boom, there are too many solutions. First of all, let's not talk about the fact that the painter can predict the future, let alone the painter who tells the future to the present and then brings it back Coming Butterfly Effect, or maybe World Line Bandha? Hahaha, forgive me! !
(The following refers to the ending of the play, I do not recommend watching it) Why can't I just give Peter a shot, and why at the end let Peter go back to see the old man who died at the beginning of the play, saying that those seem very deep, it seems to be a turn Important words from the bad end into the happy end, then. . . Just say it? ? Just let the elder brother and younger brother fly into the sky and blow up? ? ? excuse me? ? And the person who gave me the most headaches, Peter's mother, what's the hell with her, what the hell is this character? ! ! !
The above are some of my personal complaints and accept various rebuttals.
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