The quality of the film is first-rate. Including production, editing, soundtrack and rhythm. It can be said that the thickness of the villain after Superman is barely enough, but the lack of flavor, I think, is the lack of expressiveness of sacrifice.
Human beings always strive for the best, but they are not willing to sacrifice. If a hero does their best to bring about an imperfect salvation, they will be like the few people in the film, yelling that it is your fault, that you have lost things, and you have caused everything.
Brother Tom has actually messed up a lot of trivial things, but this time he fought so hard that even the police in Paris wanted to save him. He just wanted to say: I can save all the people I should save.
It's a pity that the film has always maintained a subtle state, not in the direction of the general tragic heroic epic, and wants to do everything possible to complete the impossible task in a relaxed and happy tone, so the film also stops here.
The gap between it and the full score is the gap between the movie and reality: even if you are omnipotent, and you seem to have abandoned everything, it is still not enough to convince others that you have given everything, and the perfect ending without sacrifice is Brother Tom’s silently again. Admitting your courage stopped here.
A perfect executor, the executioner of the system, whose good and evil cannot correct the upward ladder, can only present the most gorgeous and gorgeous sunshine to the audience.
The most witnesses, the audience, are fascinated by the superb realm of Atango. But maybe one day when the ending comes, I can feel the greatness before.
If you are worried about covering the coffin, there is no sublimation.
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